Oh, Pretty Woman

Album

Single

Label

Monument Records

Genre

Power Pop

Composer(s)

Roy Orbison;Bill Dees

Entered Chart

Aug 29, 1964

Peak Date

Sep 26, 1964

Released

August 15, 1964

Recorded

August 1, 1964 Studio Fred Foster Sound Studio, Nashville, Tennessee

Catalog #

Monument 45-851

B-Side

Yo te Amo María"

Roy Orbison was writing with his songwriting partner Bill Dees at his house when he told Dees to get started writing by playing anything that came to mind. Orbison's wife Claudette came in and said she was going to go into town to buy something. Orbison asked if she needed any money, and Dees cracked, "Pretty woman never needs any money." Inspired, Orbison started singing, "Pretty woman walking down the street." Bill Dees recalls in 1000 UK #1 Hits by Jon Kutner and Spencer Leigh: "He sang it while I was banging my hand down on the table and by the time she returned we had the song. I love the song. From the moment that the rhythm started, I could hear the heels clicking on the pavement, click, click, the pretty woman walking down the street, in a yellow skirt and red shoes. We wrote Oh Pretty Woman on a Friday, the next Friday we recorded it, and the next Friday it was out. It was the fastest thing I ever saw. Actually, the yeah, yeah, yeah in Oh Pretty Woman probably came from The Beatles." In the same book Bill Dees recounts how the distinctive growling cry of "Mercy" came about: "I can't do that growl like Roy, but the "Mercy" is mine. I used to say that all the time when I saw a pretty woman or had some good food. Still do." Orbison and his wife Claudette had recently reconciled after some tough times, but as this song was climbing the charts, Roy found out she had been cheating on him and filed for divorce. In 1966, they remarried, but two months later Claudette was killed when the motorcycle she was riding was hit by a truck. Orbison faced tragedy again when his two oldest sons died in a fire at his home in 1968. He was on tour at the time. This was Orbison's last big hit. His career faded fast, but was revived in the '80s when prominent musicians like Bruce Springsteen, Bob Dylan and George Harrison cited him as an influence and invited him to join various projects. He was inducted to the Rock and Roll Hall of Fame and joined The Traveling Wilburys with Dylan, Tom Petty, Harrison and Jeff Lynne. As he was enjoying this career revival, he died of a heart attack on December 6, 1988 at age 52. With his dark sunglasses and plaintive voice, Orbison gave the impression that he was always longing and sometimes miserable, which was not the case. Speaking with the NME in 1980, he explained what's going on in this song: "There's a ballad in the mid-section of it there: he's very sure of getting the girl when he first sees her, and then he's not so sure, and then he gets desperate, and then he says forget it, and then she comes back. It's quite complicated, but it's probably in the presentation, or if I'm really singing like I know I can and I'm doing the job that I should be doing, then it could be that the voice quality in parts has a melancholy something." This was used in the 1990 movie of the same name starring Julia Roberts and Richard Gere. When the film was shot, its working title was 3000; the song was added later and became the title. Other movies that have used this song include Dumb and Dumber (1994) and Au Pair (1999). In 1989, the controversial rap group 2 Live Crew recorded a parody of this song, using the alternate title "Pretty Woman" for their album Clean As They Wanna Be. The Crew sampled the distinctive bassline, but the romantic lyrics were replaced by talk about a hairy woman and her bald-headed friend. Orbison's publisher, Acuff-Rose Music, sued 2 Live Crew on the basis that the fair use doctrine did not permit reuse of their copyrighted material for profit. The case, Campbell vs. Acuff-Rose Music, went all the way to the US Supreme Court. On March 7 1994, the Court ruled that 2 Live Crew's parody did not violate federal copyright laws, clarifying that parody constitutes fair use under certain circumstances. A key to the decision is the judgment that 2 Live Crew did not harm the market value of Orbison's original with their parody - in other words, nobody was rejecting "(Oh) Pretty Woman" because they could get the 2 Live Crew song instead. To this point, parody artists either took great care to avoid using copyrighted songs (by writing original backing music or sticking with songs in the public domain) or got permission from the publishers before doing their parodies. "Weird" Al Yankovic, who had been doing parodies for 15 years by this point, always got permission from publishers when needed, and even asked the artists if they were OK with his send-ups before releasing them. >> In 1964, Orbison was the only American artist to have a #1 UK hit, and he did it twice - with "(Oh) Pretty Woman" and "It's Over." >> Orbison won a posthumous Grammy Award for Best Male Pop Vocal Performance in 1991 for a live version featured in the 1988 TV special Roy Orbison And Friends: A Black And White Night.

Pretty woman, walkin' down the street
Pretty woman the kind I like to meet
Pretty woman I don't believe you, you're not the truth
No one could look as good as you, mercy

Pretty woman won't you pardon me
Pretty woman I couldn't help but see
Pretty woman that you look lovely as can be
Are you lonely just like me

Pretty woman stop awhile
Pretty woman talk awhile
Pretty woman give your smile to me
Pretty woman yeah, yeah, yeah
Pretty woman look my way
Pretty woman say you'll stay with me
'Cause I need you, I'll treat you right
Come with me baby, be mine tonight

Pretty woman don't walk on by
Pretty woman don't make me cry
Pretty woman don't walk away, hey, okay
If that's the way it must be, okay
I guess I'll go on home, it's late
There'll be tomorrow night, but wait
What do I see?
Is she walkin' back to me?
Yeah, she's walkin' back to me
Oh, oh, pretty woman