
Peak
92
Weeks
3
Score
101
Chart Year
1964
The Beatles displayed an early interest in the music of girl groups, covering songs by groups like the Shirelles, the Cookies and the Donays. They added "Please Mr. Postman" to their live repertoire in December 1961, their third Tamla song after the Miracles' "Who's Lovin' You" and Barrett Strong's "Money (That's What I Want)" Since the original version hadn't made it into the British charts, few in the UK knew the song "Please Mr. Postman", allowing the Beatles to make it their own among all Liverpool groups. John Lennon sang lead vocal, Paul McCartney and George Harrison providing backing vocals, while all three added handclaps at their head level. In 2004, Billy Hatton of the Four Jays recalled seeing one of the Beatles' first live performances of the song, saying it was "a Wow moment. I was struck by how tight they were. As a semi-pro group, the Four Jays would take a month to start playing a new song really well." Without their knowing it at the time, the Beatles' 7 March 1962 performance of the song on BBC Radio's Here We Go was the first time any Tamla song was played over BBC radio. Beatles author Mark Lewisohn reflects: "Without even realising it (and they'd have been thrilled to know), the Beatles broke the Detroit 'Motown sound' to the British listening public." In 1963, Beatles manager Brian Epstein approached Gordy for the rights to record several Motown songs, including "Please Mr. Postman", "You've Really Got a Hold on Me" and "Money (That's What I Want)". Rather than the industry standard of two cents, Epstein only offered one and a half cents per record sold. Gordy initially refused, only relenting two minutes before the offer was set to expire. On 30 July 1963, the band recorded the song for their second UK album, With the Beatles. Recorded in Studio Two of EMI Recording Studios, George Martin produced the session, supported by balance engineer Norman Smith. The band recorded three takes in a similar style to their BBC performance, but found the results unsatisfactory. They altered the arrangement to sound closer to the Marvelettes' version, recording four more takes with a stop-time intro, drum breaks and a coda, the final take seven deemed "best".[Due to their different vocal range from the Marvelettes, the Beatles modulate their version into A major. Between recording two takes of overdubs, the band added handclaps while Lennon double tracked his original vocal, take nine marked "best". Martin and Smith mixed the song for mono and stereo on 21 August and 29 October, respectively.
Wait, oh yes, wait a minute, Mister Postman Wait, wai-ai-ai-ait Mister Postman Mister Postman look and see (Oh, yeah) Is there a letter in your bag for me? (Please, please, Mister Postman) I been waiting a long, long time (Oh, yeah) Since I heard from that girl of mine There must be some word today From my girlfriend so far away Please, Mister Postman, look and see If there's a letter, a letter for me I been standing here waiting, Mister Postman So patiently For just a card or just a letter Saying she's returning home to me Mister Postman look and see (Oh, yeah) Is there a letter in your bag for me? (Please, please, Mister Postman) I been waiting a long, long time (Oh, yeah) Since I heard from that girl of mine So many days you passed me by See the tear standing in my eye You didn't stop to make me feel better By leaving me a card or a letter Mister Postman (Mister Postman), look and see Is there a letter in your bag for me? I been waiting a long, long time Since I heard from that girlfriend of mine You gotta wait a minute, wait a minute, oh yeah Wait a minute, wait a minute, oh yeah You gotta wait a minute, wait a minute, oh yeah Check it and see, one more time for me You gotta wait a minute, wait a minute, oh yeah wait a minute, wait a minute, oh yeah Mister Postman, oh yeah Deliver the letter, the sooner the better You gotta wait a minute, wait a minute, oh yeah wait a minute, wait a minute, oh yeah You gotta wait a minute, wait a minute, oh yeah You gotta wait a minute, wait a minute, oh yeah
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Jun 13, 1964 | 97 | 29 |
| 2 | Jun 20, 1964 | 97 | 29 |
| 3 | Jun 27, 1964 | 92 | 34 |