For What It's Worth

Album

Single

Label

ATCO Records

Genre

Folk-pop

Composer(s)

Stephen Stills

Entered Chart

Jan 28, 1967

Peak Date

Mar 25, 1967

Released

December 23, 1966

Recorded

December 5, 1966 Studio Columbia (Hollywood)

Catalog #

Atco 45-6459

B-Side

Do I Have To Come Right Out And Say It

Written by Buffalo Springfield guitarist Stephen Stills, this song was not about anti-war gatherings, but rather youth gatherings protesting anti-loitering laws, and the closing of the West Hollywood nightclub Pandora's Box. Stills was not there when they closed the club, but had heard about it from his bandmates. In the book Neil Young: Long May You Run: The Illustrated History, Stephen Stills tells the story of this song's origin: "I had had something kicking around in my head. I wanted to write something about the kids that were on the line over in Southeast Asia that didn't have anything to do with the device of this mission, which was unraveling before our eyes. Then we came down to Sunset from my place on Topanga with a guy - I can't remember his name - and there's a funeral for a bar, one of the favorite spots for high school and UCLA kids to go and dance and listen to music. [Officials] decided to call out the official riot police because there's three thousand kids sort of standing out in the street; there's no looting, there's no nothing. It's everybody having a hang to close this bar. A whole company of black and white LAPD in full Macedonian battle array in shields and helmets and all that, and they're lined up across the street, and I just went 'Whoa! Why are they doing this?' There was no reason for it. I went back to Topanga, and that other song turned into 'For What It's Worth,' and it took as long to write as it took me to settle on the changes and write the lyrics down. It all came as a piece, and it took about fifteen minutes." Buffalo Springfield was the band's first album, and this song was not originally included on it. After "For What It's Worth" became a hit single, it replaced "Baby Don't Scold Me" on re-issues of the album. Notable when you consider this song's success, the group quietly recorded this without involving their producers Charles Greene and Brian Stone, with whom they had had immense dissatisfaction about the recording of their album up until then. Greene and Stone had insisted on recording each musician separately and then combining them later into mono to stereo tracks, which produced a tinny sound. This was the first time the group's united performance was caught on tape. (Thanks to Dwight Rounds for his help with this. Dwight is author of The Year The Music Died, 1964-1972.) This was used in a commercial for Miller beer in the '90s. The antiestablishment message was, of course, ignored and the song was edited to avoid the line "There's a man with a gun over there, telling you you've got to beware." The commercial replaced this line by pulling up the chorus of "Everybody look what's going down." Report an ad Songwriting powerhouses Jim Messina and Neil Young were also in Buffalo Springfield, but Stills wrote this song himself. Young has never allowed his songs to be used in commercials, and wrote a song bashing those who do called "This Note's For You." This song helped launch the band to stardom and has remained one of the era's most enduring protest songs, but Stephen Stills, who authored the tune, had very different feelings than many might expect. He said, "We didn't want to do another song like 'For What It's Worth.' We didn't want to be a protest group. That's really a cop-out and I hate that. To sit there and say, 'I don't like this and I don't like that' is just stupid." In June 1967, Buffalo Springfield opened their Monterey Pop Festival set with this song, with David Crosby playing in Neil Young's place. Young's relationship with the band was strained throughout most of their time together - he frequently quit and came back. The show happened during one such breakup. Public Enemy sampled this on their 1998 song "He Got Game," which was used in the movie of the same name. Stephen Stills appears on this song. This song gets covered a lot - for a weird experience, check out the cover versions of "For What It's Worth" done by Ozzy Osbourne on the Under Cover album and Queensryche on their Take Cover album. Both of them pretty much murder it. This song plays during the opening credits of the movie Lord Of War starring Nicolas Cage, and was used in the movie Forrest Gump starring Tom Hanks. >> Stevie Nicks released a cover version on September 23, 2022 with production by Greg Kurstin. "It meant something to me then, and it means something to me now," she said. "I always wanted to interpret it through the eyes of a woman – and it seems like today, in the times we live in, it has a lot to say." Just to sort out any confusion, this is an entirely different song from the "For What It's Worth" that appears on Stevie Nicks' 2011 In Your Dreams album. Nicks co-wrote that song with Tom Petty and the Heartbreakers guitarist Mike Campbell.

There's somethin' happenin' here
But what it is ain't exactly clear
There's a man with a gun over there
A-tellin' me I got to beware

I think it's time we stop
Children, what's that sound?
Everybody look what's going down

There's battle lines being drawn
And nobody's right if everybody's wrong
Young people speakin' their minds
A-gettin' so much resistance from behind

I think it's time we stop
Hey, what's that sound?
Everybody look what's going down

What a field day for the heat (ooh-ooh-ooh)
A thousand people in the street (ooh-ooh-ooh)
Singin' songs and a-carryin' signs (ooh-ooh-ooh)
Mostly say, "Hooray for our side" (ooh-ooh-ooh)

It's time we stop
Hey, what's that sound?
Everybody look what's going down

Paranoia strikes deep
Into your life, it will creep
It starts when you're always afraid
You step out of line
The man come and take you away

We better stop, hey, what's that sound?
Everybody look what's going down

We better stop, hey, what's that sound?
Everybody look what's going down

We better stop, now, what's that sound?
Everybody look what's going down

We better stop, children, what's that sound?
Everybody look what's going down