
Peak
6
Weeks
12
Score
2,305
Chart Year
1969
This was written by Motown writers Norman Whitfield and Barrett Strong, who had written earlier Temptations hits "Ain't Too Proud To Beg" and "Just My Imagination." This was the first Temptations song recorded with new lead singer Dennis Edwards. David Ruffin, their original leader, was fired after he missed a gig. Ruffin became very difficult to work with when Motown refused to bill the group as "David Ruffin and The Temptations," as they had done with "Diana Ross and The Supremes." This was a new sound for The Temptations. It was a kind of psychedelic funk similar to Sly & the Family Stone, rather than the smooth soul they were known for. Many people did not think this was The Temptations when they heard it. "I remember standing outside the Casino Royal in Detroit with Norman and asking him if he was familiar with Sly Stone's 'Dance To The Music,'" The Temptations' Otis Williams recalled to Uncut magazine. Whitfield had heard it, so Williams suggested "we should try some of that funky sounding music with the electric guitars." Whitfield dismissed it a passing fancy, but a few weeks later, he played The Temptations "Cloud Nine." It had "the heavy electric guitars, wah-wah pedals, and background arrangements where each of us were singing different lines." The lyrics could be interpreted to be about drugs, which would go against The Temptations clean-cut image. They knew Whitfield and Strong didn't do drugs, however, so they didn't have a problem with the lyrics. This was the first Motown song to use a wah-wah pedal. A white guitarist named Dennis Coffey brought it to a Motown workshop and played it for Whitfield while he was arranging this song. Whitfield loved the way it worked and had Coffey join the Motown house band when they recorded the track. Whitfield used Coffey on many more sessions, including the seminal track "War." Coffey, who had a hit on his own with "Scorpio," considers his work on "Cloud Nine" some of his best. "It's kicking major ass," he told Songfacts. "That groove was so funky it's amazing." Report this ad Whitfield and Strong wrote this shortly after the songwriting team of Holland/Dozier/Holland left Motown. Holland/Dozier/Holland wrote many of the hits for the label, so it was a big boost for Motown when Whitfield and Strong stepped up and wrote another hit. The week after this was released, Motown head Berry Gordy released Marvin Gaye's version of "Heard It Through The Grapevine," which until then he refused to release because he did not think it was a hit. This was the first Motown song to win a Grammy. It won for Best Rhythm & Blues Performance By A Duo Or Group, Vocal Or Instrumental in 1968.
Oh ho, ho ho ho, ooh, hoo Childhood part of my life, it wasn't very pretty You see, I was born and raised in the slums of the city It was a one room shack that slept ten other children besides me We hardly had enough food or room to sleep It was hard times Needed something to ease my troubled mind Listen, my father didn't know the meaning of work He disrespected mama, and treated us like dirt I left home, seekin' a job that I never did find Depressed and downhearted I took to cloud nine I'm doin' fine, up here on cloud nine Listen one more time I'm doin' fine, up here on cloud nine Folks down there tell me They say, give yourself a chance son, don't let life pass you by But the world of reality is a rat race where only the strongest survive It's a dog eat dog world, and that ain't no lie Listen, it ain't even safe no more to walk the streets at night I'm doin' fine, on cloud nine Let me tell you about cloud nine Cloud nine, you can be what you wanna be (Cloud nine) you ain't got no responsibility And every man, every man is free (Cloud nine) and you're a million miles from reality I wanna say I love the life I live And I'm gonna live the life I love up here on cloud nine I, I, I, I, I, I I'm riding high On cloud nine, you're as free as a bird in flight (Cloud nine) there's no difference between day and night (Cloud nine) it's a world of love and harmony (Cloud nine) you're a million miles from reality Cloud nine, you can be what you wanna be Cloud nine you ain't got no responsibility Cloud nine, and every man in this world is free (Cloud nine) and you're a million miles from reality (Cloud nine) you can be what you wanna be
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Nov 16, 1968 | 45 | 81 |
| 2 | Nov 23, 1968 | 39 | 87 |
| 3 | Nov 30, 1968 | 26 | 100 |
| 4 | Dec 7, 1968 | 15 | 111 |
| 5 | Dec 14, 1968 | 13 | 113 |
| 6 | Dec 21, 1968 | 12 | 114 |
| 7 | Dec 28, 1968 | 10 | 116 |
| 8 | Jan 4, 1969 | 6 | 120 |
| 9 | Jan 11, 1969 | 6 | 120 |
| 10 | Jan 18, 1969 | 13 | 113 |
| 11 | Jan 25, 1969 | 17 | 109 |
| 12 | Feb 1, 1969 | 30 | 96 |