Peak
13
Weeks
12
Score
1,742
Chart Year
1970
Aretha Franklin is famous for her voice, but she also excelled as a songwriter, penning many of her early hits and taking an active role in the recording sessions. She wrote "Call Me" not long after divorcing her husband of eight years, Ted White. The inspiration for the song came when Aretha saw a young couple in New York City who were clearly in love. As they parted, each said to the other, "I love you." Followed by, "Call me, the moment you get there." Many of Aretha's early recording sessions were with the Muscle Shoals Rhythm Section, but only one of these sessions took place in Muscle Shoals ("I Never Loved A Man (The Way I Love You)"). That's because the session ended in an argument between Aretha's husband and one of the horn players. Since Aretha wouldn't return to Muscle Shoals, Jerry Wexler at her label, Atlantic Records, brought the musicians to her, usually in New York City. The session for "Call Me," however, was at Criteria Studios in Miami, which Atlantic was using for a lot of their business. Aretha played the piano, backed by the Muscle Shoals musicians Eddie Hinton (lead guitar), Jimmy Johnson (rhythm guitar), David Hood (bass), Roger Hawkins (drums) and Barry Beckett (organ). Franklin eventually developed a reputation as a diva, but according to David Hood, she was quite pleasant and down-to-earth. He told us, "Atlantic people treated you very well and Aretha was always polite and cordial and very professional." This was the eighth of Aretha Franklin's 20 #1 R&B hits (she has more than any other artist), and her first since her divorce from Ted White. According to Jimmy Johnson, Franklin was still broken up over her split from White, which led to an emotional recording session for everyone. The guitarist told The Queen Of Soul biographer Mark Bego, "'Call Me' is the perfect example, I think, of some of the feelings she was having. I think she may have cried during the lyrics of that song - because she definitely had us crying." Diana Ross covered this for her 1970 album Everything Is Everything and earned a Grammy nomination for Best Female R&B Vocal Performance. Franklin's version of "Bridge Over Troubled Water" took the prize.
I love you (I love you) And I love you (I love you) And I love you too (and I love you) Baby, will you call me the moment you get there? Hey, baby, um-hum I love you (I love you) And I love you (I love you) And I love you too (and I love you) Baby, will you call me the moment you get there? Hey, baby, um-hum Call me (the moment) The moment (you get there) You get there? Yeah, yeah, baby, yeah My dearest, my dearest of all darling (ah-ooo) I know, I know, I know, I know we've got to part (ah-ooo) Baby, baby, baby, baby, baby It really doesn't hurt me that bad yeah (ah-ooo) Because you're taking me with you And I'm keeping you right-a here in my heart It's all because I love you (I love you) Woo-hoo, and I love you (I love you) And I love you too (and I love you) Baby, will you call me the moment you get there, baby? Will you do that? Will you do that for me now? Call me (the moment) The moment (you get there) You get there? Yeah, yeah, baby, yeah Call me (the moment) The moment (you get there) You get there? Yeah, yeah, baby, yeah Call me (the moment) The moment (you get there) You get there? Yeah, yeah, baby, yeah
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Feb 7, 1970 | 99 | 27 |
| 2 | Feb 14, 1970 | 64 | 62 |
| 3 | Feb 21, 1970 | 41 | 85 |
| 4 | Feb 28, 1970 | 24 | 102 |
| 5 | Mar 7, 1970 | 22 | 104 |
| 6 | Mar 14, 1970 | 21 | 105 |
| 7 | Mar 21, 1970 | 19 | 107 |
| 8 | Mar 28, 1970 | 19 | 107 |
| 9 | Apr 4, 1970 | 13 | 113 |
| 10 | Apr 11, 1970 | 13 | 113 |
| 11 | Apr 18, 1970 | 26 | 100 |
| 12 | Apr 25, 1970 | 37 | 89 |