Peak
1
Weeks
20
Score
4,544
Chart Year
1979
The "Bad Girls" are prostitutes. Summer got the idea when she was working at the offices of her label, Casablanca Records, in Los Angeles. She sent her secretary on an errand, which took her down Sunset Boulevard, a street known for illicit activity. The secretary, who was black, told Summer that the police harassed her, assuming she was a working girl. This raised the ire of Summer, but also provided inspiration for the song, which came together when she started ad-libbing lyrics in the studio. Summer wrote this song in 1977 when she was collaborating with a vocal group called Brooklyn Dreams, which was comprised of Eddie Hokenson, Joe Esposito, and Summer's future husband, Bruce Sudano. All three members of the group contributed to its writing and shared the songwriter credits with Summer. When Summer played the demo track of the song for the head of Casablanca Records, Neil Bogart, he thought it was too rock for her and suggested the song would be more suitable for Labelle or Cher. This didn't go over well with Summer, since she wanted to record the song herself, so she shelved it. In 1979, an engineer named Steve Smith was looking through some tapes, trying to find some blank space to record when he came across the demo of this song. He reminded Summer of the song, which she had forgotten about, and he also told producer Giorgio Moroder about it. Moroder and Pete Bellotte, who are team that produced "Love To Love You Baby," produced a new version of "Bad Girls" that became the hit two years after the song was written. This was Summer's biggest hit. It was #1 in the US for five weeks, helping her earn the title "The Queen Of Disco." Harold Faltermeyer, who had a hit five years later with "Axel F," is credited with arrangements on the Bad Girls album. Scott Edwards, who played on many hits of the era, was the bass player on this track. He told Songfacts about the session: "I remember we cut it at the studio just north of Sunset on La Brea [Rusk Sound Studios]. We went in, and they just had chord charts. Georgio Moroder was the producer, but he wasn't even there. The cat who did the music for Eddie Murphy's movie - Harold Faltermeyer - he was the one that we saw. Faltermeyer was the guy who actually came up with the concept and everything. He didn't have any parts, he just had the chords. But he told us to go for it. And sadly, the drummer who played on a lot of that stuff was Michael Baird, and somehow they forgot to put his name on the contract. And once they didn't do that, he doesn't get paid for new use. They basically said, 'Musicians, do it.' And we did it. That's how all that stuff came about. But there were no written parts. We didn't know until later that Harold Faltermeyer could do what he did electronically on computers, because he just let us do our thing, and it turned out pretty good." The famous "toot-toot" and "beep-beep" vocal interjections were something Donna Summer came up with in the studio after the track was finished. She felt the song sounded a bit empty in parts, so she made up some car sounds to simulate the horns calling for the attention of the prostitutes. Summer performed this song on her TV special (unimaginatively titled The Donna Summer Special), which aired January 27, 1980. The performance featured summer dressed as a prostitute singing on a studio replica of Sunset Boulevard. Her fellow "bad girls" were played by the model/actresses Twiggy, Debralee Scott, and Pat Ast. The clip would have been a very interesting addition to MTV's playlist when they launched in 1981, but the network rejected disco and didn't put a black artist in heavy rotation until 1983 with Michael Jackson's "Billie Jean." That same year, Summer had an MTV hit with "She Works Hard For The Money." This was used in the kids' movie Rugrats In Paris. It was sung by Angelica, with some of the words changed to stay away from the adult themes. Other movies to use the song include: Picture Perfect (1997) The Out-of-Towners (1999) The Replacements (2000) Charlie Wilson's War (2007) Some TV series to use it are: Cybill (1995, "Cybill with an 'S'") Sex and the City (2000, "Where There's Smoke") Cold Case (2004, "Daniela") Arrested Development (2004, "Whistler's Mother") Scandal (2014, "The Last Supper") Summer had a talent for writing lyrics on the fly once she had a title for a song. "She was very stream-of-consciousness," her husband Bruce Sudano said in a Songfacts interview. "Her favorite way to write was to go in the studio, mic the guitar, mic the piano, turn on her microphone, roll tape and flow. That's how 'Bad Girls' was written. That's how many of her songs were written: just flow."
Toot toot, hey, beep beep Toot toot, hey, beep beep Toot toot, hey, beep beep Toot toot, hey, beep beep Bad girls Talking 'bout the sad girls Sad girls Talking 'bout bad girls, yeah See them out on the street at night (walkin') Picking up on all kinds of strangers If the price is right You can't score if you're pocket's tight But you want a good time You ask yourself who they are Like everybody else, they come from near and far (Bad girls, yeah) Bad girls (bad girls) Talking about the sad girls (sad girls), yeah The sad girls (sad girls) Talking about bad girls, yeah Friday night and the strip is hot (hot) Sun's gone down and they're out to trot (out trottin') Spirit's high and legs look hot Do you wanna get down? Now, don't you ask yourself who they are? Like everybody else, they wanna be a star Yeah, yeah, there comes Bad girl, sad girl You're such a naughty bad girl, beep beep Uh-huh You're bad girl, you're sad girl You're such a naughty bad girl, beep beep (beep beep) Uh-huh Now you and me, we're both the same (both the same) But you call yourself by different names (different names) Now your mama won't like it when she finds out (finds out) Girl is out at night Toot toot, hey, beep beep Toot toot, hey, beep beep Toot toot, hey, beep beep Toot toot, hey, beep beep Hey mister, have you got a dime? Mister, do you want to spend some time, oh yeah I got what you want, you got what I need I'll be your baby, come and spend it on me Hey mister, I'll spend some time with you With you, you got it, with you Bad girls, they're just bad girls Talkin' about sad girls, yeah Sad girls Hey, hey mister, got a dime? Toot toot, hey, beep beep Toot toot, hey, beep beep Toot toot, hey, beep beep Toot toot, hey, beep beep
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | May 26, 1979 | 55 | 71 |
| 2 | Jun 2, 1979 | 46 | 80 |
| 3 | Jun 9, 1979 | 28 | 98 |
| 4 | Jun 16, 1979 | 11 | 115 |
| 5 | Jun 23, 1979 | 5 | 121 |
| 6 | Jun 30, 1979 | 3 | 123 |
| 7 | Jul 7, 1979 | 2 | 124 |
| 8 | Jul 14, 1979 | 1 | 125 |
| 9 | Jul 21, 1979 | 1 | 125 |
| 10 | Jul 28, 1979 | 1 | 125 |
| 11 | Aug 4, 1979 | 1 | 125 |
| 12 | Aug 11, 1979 | 1 | 125 |
| 13 | Aug 18, 1979 | 4 | 122 |
| 14 | Aug 25, 1979 | 5 | 121 |
| 15 | Sep 1, 1979 | 11 | 115 |
| 16 | Sep 8, 1979 | 21 | 105 |
| 17 | Sep 15, 1979 | 31 | 95 |
| 18 | Sep 22, 1979 | 52 | 74 |
| 19 | Sep 29, 1979 | 98 | 28 |
| 20 | Oct 6, 1979 | 98 | 28 |