Edge Of Seventeen (Just Like The White Winged Dove)

Album

Bella Donna

Label

Modern Records

Genre

Rock

Composer(s)

Stevie Nicks

Entered Chart

Feb 20, 1982

Peak Date

Apr 17, 1982

Released

February 4, 1982

Recorded

1981

Catalog #

Modern Records 7401

B-Side

"Edge of Seventeen" (Previously unreleased live version)

Stevie Nicks wrote this song about the death of her uncle and the death of John Lennon. The line about the "Words from a poet and a voice from a choir" refers to Lennon. Speaking about the song in commentary for her Live In Concert video recorded on her Bella Donna tour, she explained: "I was in Australia when John Lennon was shot. Everybody was devastated. I didn't know John Lennon, but I knew Jimmy Iovine, who worked with John quite a bit in the '70s, and heard all the loving stories that Jimmy told about him. When I came back to Phoenix I started to write this song. Right when I got to Phoenix, my uncle Bill got cancer, got very sick very fast, and died in a couple of weeks. My cousin John Nicks and I were in the room when he died. There was just John and I there. That was part of the song when I went running down the hallways looking for somebody - I thought where's my mom? Where's his wife and the rest of the family? At that point I went back to the piano and finished the song." Speaking further in her video commentary, Nicks spoke about the "white-winged dove" and what this song means to her: "It became a song about violent death, which was very scary to me because at that point no one in my family had died. To me, the white-winged dove was for John Lennon the dove of peace, and for my uncle it was the white-winged dove who lives in the saguaro cactus - that's how I found out about the white-winged dove, and it does make a sound like whooo, whooo, whooo. I read that somewhere in Phoenix and thought I would use that in this song. The dove became exciting and sad and tragic and incredibly dramatic. Every time I sing this song I have that ability to go back to that two-month period where it all came down. I've never changed it, and I can't imagine ending my show with any other song. It's such a strong, private moment that I share in this song." Stevie came up with the title when she asked Tom Petty's wife Jane when the couple met. Jane said, "At the age of seventeen," but she had a very strong southern accent and Stevie thought she said "the edge of seventeen," which makes a great song title. Telling the story in a 1981 interview with Los Angeles disc jockey Robert W. Morgan, Nicks said she told Jane: "It's got to be 'edge.' 'The Edge of Seventeen' is perfect. I'm going to write a song." At first, the song was going to be about Tom and Jane, but it became something completely different. Bella Donna was Stevie's first solo album. "Edge Of Seventeen" was the third single; the first two were duets: "Stop Draggin' My Heart Around" with Tom Petty and "Leather And Lace" with Don Henley. The album proved that Nicks had enormous appeal outside of Fleetwood Mac, and this song in particular gave her tremendous confidence, as it's a very personal track that resonated with listeners and went over very well live. When Nicks toured for Bella Donna, it was just a 12-date trek because she had to return to Fleetwood Mac to start work on the Mirage album. The tour imbued her with the strength she needed to carry on in the group, where there was lots of lingering tension, notably between her and Lindsey Buckingham. When Nicks played this as the last song at the last stop on her Bella Donna tour at the Wilshire Ebell Theatre in Los Angeles, California, she walked across that stage and collected various gifts audience members brought for her as she finished the song. This became a tradition, with Nicks ending up with a mountain of flowers and stuffed animals at the end of her solo shows that she always donates to local children's hospitals. Performing with Fleetwood Mac, she can't do this as there are five stars in the band. Report this ad "Edge Of Seventeen" has very prominent backing vocals courtesy of Nicks' longtime accompanists Lori Perry and Sharon Celani. Nicks was very good at finding and retaining top talent for her solo work. That distinctive guitar riff comes courtesy of Waddy Wachtel, who first worked with her pre-Fleetwood Mac when she was a duo with Lindsey Buckingham. Wachtel is one of the most revered but unheralded session guitarists in rock history, with credits on tracks by Randy Newman, Linda Ronstadt, Bob Seger and many others. He, Perry, and Celani all toured with Nicks for years following release of the Bella Donna album (Wachtel is easy to recognize - he's the guy with hair that looks like electrified spaghetti). Also playing on this track were bass player Bob Glaub, drummer Russ Kunkel, piano player Roy Bittan of Bruce Springsteen's E Street Band, and organist Benmont Tench of Tom Petty & the Heartbreakers. Nicks always ends her concerts with this song, sticking with the same arrangement. "It's such a strong, private moment that I share with people in this song." Nicks' performance from her Live In Concert video, which aired on HBO, serves as the music video for this song. It was directed by Marty Callner, who also did the clips for "I Can't Wait" and "Rooms On Fire." The Bella Donna album was produced by Jimmy Iovine, who was dating Nicks at the time. According to Nicks, he didn't think the album had a hit, which is why he had her record "Stop Draggin' My Heart Around" with Petty. Released as the lead single from the album, it reached #3 in the US and helped "Edge Of Seventeen" earn airplay when it was issued as a single a few months later. This song is featured in the video game Grand Theft Auto IV, developed by Rockstar Games and distributed by Take-Two Interactive for multiple video game consoles. The game features fictional in-game radio stations that can be heard when the player gets in a car; this song is featured on the "Liberty Rock Radio 97.8" station along with other rock songs such as "1979" by the Smashing Pumpkins and "The Seeker" by The Who. >> Destiny's Child sampled the famous guitar lick for their song "Bootylicious." Some of Stevie's fans were horrified, but she loved it, and even appeared in the video. Stevie met the group when she was on the The Rosie O'Donnell Show promoting her Trouble In Shangri-La album, and Destiny's Child was in the same building rehearsing for Saturday Night Live. This features prominently throughout American Horror Story: Coven (2013) as the Stevie Nicks-obsessed, hippie witch Misty Day, played by Lily Rabe, used it as her anthem. Nicks would guest star towards the end of the season. A movie called The Edge of Seventeen starring Hailee Steinfeld was released in 2016, but this song was not part of it. This was used in a 2019 commercial for Amazon Prime Wardrobe where a woman imagines herself in new dress as white-winged doves fly over her. In 2020, Stevie Nicks got a visit from a dove that sang to her outside her Arizona home. She posted the video on Twitter, and wrote, "Over the last 40 years I can honestly say, I have never heard a dove sing~ until now... This dove had come here to watch over me." In 1980 Nicks was flying home from Phoenix, Arizona. The flight attendant handed her a menu that said, "The white wing dove sings a song that sounds like she's singing ooh, ooh, ooh. She makes her home here in the great Saguaro cactus that provides shelter and protection for her..." She instantly went into "Edge Of Seventeen," which then ended up being about John Lennon and a bunch of other people.

Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh ooh ooh
Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh

And the days go by
Like a strand in the wind
In the web that is my own
I begin again
Said to my friend, baby
Nothin' else mattered

He was no more than a baby then
Well he seemed broken hearted
Something within him
But the moment that I first laid
Eyes on him all alone
On the edge of seventeen

Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh
Just like the white winged dove
Sings a song
Sounds like she's singing
Said ooh baby, ooh, said ooh

Well, I went today maybe I will go again
Tomorrow
Yeah, yeah
Well the music there, well it was hauntingly
Familiar
When I see you doing
What I tried to do for me
With the words from a poet
And a voice from a choir
And a melody nothing else mattered

Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh
Just like the white winged dove
Sings a song
Sounds like she's singing
Said ooh baby, ooh, said ooh

The clouds never expect it
When it rains
But the sea changes colors
But the sea
Does not change
So with the slow, graceful flow
Of age
I went forth with an age old
Desire to please
On the edge of seventeen

Ooh

Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh
Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh

Well then suddenly
There was no one left standing
In the hall yeah, yeah
In a flood of tears
That no one really ever heard fall at all
Well, I went searchin' for an answer
Up the stairs and down the hall
Not to find an answer
Just to hear the call
Of a nightbird singing
Come away, come away

Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh
Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh

Well I hear you in the morning
And I hear you
At nightfall
Sometimes to be near you
Is to be unable to feel you
My love
I'm a few years older than you, my love

Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh
Just like the white winged dove
Sings a song
Sounds like she's singing
Ooh baby, ooh, said ooh