Peak
1
Weeks
19
Score
4,103
Chart Year
1984
The music video for the song features Williams along with several young men, one of them being the singer Aaron Lohr as the young boy who is the first person to appear in the video.
This was the second single from the Footloose soundtrack, following the "title track," which was recorded by Kenny Loggins. The song "Footloose" came out a few weeks before the movie was released, and the video, which got lots of airplay on MTV, built up a great deal of anticipation for the film. "Let's Hear It For The Boy" benefited from exposure in the movie, and like the title track, it went to #1 in America. In the film, the song was used in a scene where Kevin Bacon tries to teach Christopher Penn how to dance, and Penn is having a hard time. Dean Pitchford, who had previously worked on Fame, wrote the screenplay for Footloose and composed the lyrics to all the song in the movie. He wrote this song with Tom Snow; the pair had previously written "You Should Hear How She Talks About You," which ended up being a hit for Melissa Manchester. Pitchford and Snow wrote a different song that was originally used in the scene - it was called "Somebody's Eyes," and was written in a minor key. As production continued, the movie's director, Herbert Ross, felt the song wasn't working with the scene, so Dean decided to write another one with Tom. This time, they went for an uplifting song with a girl singing about a wonderful boyfriend, even though he's far from perfect. When they came up with the "Let's hear it for the boy" line, they wrote the song around that title. Once the song was written, Pitchford asked Deniece Williams and her producer George Duke to record the song. Kenny Loggins was onboard for the title track, which gave the project credibility, and Williams loved the song and the story idea for the film - she grew up in a small Indiana town with a religious environment similar to the one described in Footloose. Williams already had two #1 R&B hits to her name - "Too Much, Too Little, Too Late" with Johnny Mathis, and "It's Gonna Take A Miracle." "Let's Hear It For The Boy" became her third R&B chart topper; the Footloose soundtrack had #1 hits on the Pop, R&B, and Adult Contemporary ("Almost Paradise") charts. Dean Pitchford told us that he gets very particular about vocal performances of his songs - he even had Barbra Streisand redo her tracks on his song "If I Never Met You." When Williams recorded this the first time, Pitchford thought it sounded too girlish, so she flew from Los Angeles to New York to quickly do another take under deadline pressure. She ended up doing the proper take late that night after a long flight, but it was worth it. When she saw the film, she thought the scene where they used her song was incredible. "If I had come to the film without the music in and they asked me what segment I wanted my song to be in, I would have chosen that segment," said Williams. George Merrill and Shannon Rubicam of the duo Boy Meets Girl sang backup. They had a hit in 1988 with "Waiting For A Star To Fall." and also wrote Whitney Houston's songs "How Will I Know" and "I Wanna Dance With Somebody (Who Loves Me)." Shannon told us: "Jazz/funk keyboardist George Duke produced the record, Tom Snow and Dean Pitchford were also monitoring the session as the writers of the song, very creative and wonderful people." George and Shannon continue to record as Boy Meets Girl and released an album in 2003 called The Wonderground. Their website is www.boymeetsgirlmusic.com. Jana Kramer, whose acting credits include Friday Night Lights and One Tree Hill, recorded a new version of this song for the 2011 remake of the movie Footloose. She took a crack at Country music that year, getting her first record deal in February.
My baby he don't talk sweet He ain't got much to say But he loves me, loves me, loves me I know that he loves me anyway And maybe he don't dress fine But I don't really mind 'Cause every time he pulls me near I just want to cheer Let's hear it for the boy Let's give the boy a hand Let's hear it for my baby You know you gotta understand Whoa, maybe he's no Romeo But he's my lovin' one-man show Whoa, whoa, whoa, whoa Let's hear it for the boy My baby may not be rich He's watchin' every dime But he loves me, loves me, loves me We always have a real good time And maybe he sings off key But that's alright by me 'Cause what he does he does so well Makes me wanna yell Let's hear it for the boy Ah, let's give the boy a hand Let's hear it for my baby You know you gotta understand Whoa, maybe he's no Romeo But he's my lovin' one man show Whoa, whoa, whoa, whoa Let's hear it for the boy 'Cause every time he pulls me near I just wanna cheer Let's hear it for the boy Ah, let's give the boy a hand Let's hear it for my baby You know you gotta understand, whoa Maybe he's no Romeo But he's my lovin' one man show Whoa, whoa, whoa, whoa Let's hear it for the boy (Let's hear it for the boy) Let's hear it for my man (Let's hear it for my baby) Let's hear it for my baby (Let's hear it for the boy) (Let's hear it for my baby) (Let's hear it for the boy) Let's hear it for my man (Let's hear it for my baby) (Let's hear it for the boy) Put your hands together (Let's hear it for my baby) (Let's hear it for the boy) Let's hear it for my boy (Let's hear it for my baby) Let's hear it for my man (Let's hear it for the boy) Ooh (Let's hear it for my baby)
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Apr 7, 1984 | 56 | 70 |
| 2 | Apr 14, 1984 | 38 | 88 |
| 3 | Apr 21, 1984 | 23 | 103 |
| 4 | Apr 28, 1984 | 12 | 114 |
| 5 | May 5, 1984 | 9 | 117 |
| 6 | May 12, 1984 | 4 | 122 |
| 7 | May 19, 1984 | 2 | 124 |
| 8 | May 26, 1984 | 1 | 125 |
| 9 | Jun 2, 1984 | 1 | 125 |
| 10 | Jun 9, 1984 | 2 | 124 |
| 11 | Jun 16, 1984 | 3 | 123 |
| 12 | Jun 23, 1984 | 3 | 123 |
| 13 | Jun 30, 1984 | 9 | 117 |
| 14 | Jul 7, 1984 | 11 | 115 |
| 15 | Jul 14, 1984 | 22 | 104 |
| 16 | Jul 21, 1984 | 44 | 82 |
| 17 | Jul 28, 1984 | 57 | 69 |
| 18 | Aug 4, 1984 | 66 | 60 |
| 19 | Aug 11, 1984 | 76 | 50 |