Peak
16
Weeks
22
Score
2,397
Chart Year
1984
Two different music videos were made to promote the single. The first version of the video, directed by Derek Jarman,[3] is a collection of home movies with the majority of the archive footage consisting of a stage show with swimmers and fountains, and other World War II-era material. Apparently, the footage is courtesy of the director's father, who was one of the first people to use a colour home movie camera. The toddler in the home movie footage is the director himself as a child. The home movies are interspersed amid footage of Jack, Nick, and Darren, lip-synching and playing the violin. The band are also dressed up as characters from The Wizard of Oz (1900) at the end of the video, with Jack Hues as the Tin Man, Nick Feldman as the Scarecrow, and Darren Costin as the Lion. The second version of the video is the most well-known, and received heavy rotation airplay at MTV.[citation needed] It is a magical fantasy concept video set in the 1940s, the heyday of dance halls. The video begins in black and white, with Jack Hues stopping in front of a closed-down hall, setting down the suitcase he carries, and picking up a flyer. The scene shifts to colour, featuring the band performing in the packed hall with the backing of a big band as couples dance (played by heavily made-up children from a local dancing school).[citation needed] Later, a disco ball descends to the floor and breaks open, allowing a mirror-covered dancer to emerge. The video ends in black and white, with Hues walking past the hall and down the street; he leaves his suitcase behind, but it sprouts legs and hurries off after him. This version was nominated for Best New Artist at the 1984 MTV Video Music Awards, losing to "Sweet Dreams (Are Made of This)" by Eurythmics.
Jack Hues of Wang Chung told Eric Greenberg on the Just My Show podcast: "It begins quite innocent: 'take your baby by the hand,' and then the last verse with 'take your baby by the wrist, and in her mouth an amethyst,' it's all a bit more hallucinogenic in a way, how things that start off simple get complex. My dad was a musician, and he had a band that played in an old-fashioned dance hall. I used to play with him in that band, so maybe there's sort of the nostalgia that's in the track. It's all quite real, actually, as far as experiences that I had when I was first starting out playing, and playing in public. Musically, it's that sort of rhythm and that kind of shuffly beat. Technically it's sort of like three against two [laughs], but we're not gonna talk about all that. It's a particular feel that was sort of unusual at the time, I suppose. It was partly inspired by one of the Adam and the Ants tracks, and that's part of the thinking of using Chris Hughes, who produced Adam's Kings of The Wild Frontier album. I think the record company were keen that we sort of met up with him, and Chris and I have been friends ever since that time - Chris works with me on my jazz records that I've made in the last couple of years. It's been one of the most important friendships of my life." Even though they are British, this was Wang Chung's only hit in the UK. After it proved to be a bigger hit in the US and was featured in the film To Live And Die In LA, they decided to ignore the UK market and concentrate on the US. This proved an astute decision as they recorded two more American Top 10 hits, "Everybody Have Fun Tonight" (#2 in 1986) and "Let's Go!" (#9 in 1987), whilst not even recording a minor chart placing in the UK. Hues explained on Just My Show: "I think it has perhaps created a slight air of unreality around it. Because Wang Chung in Britain is sort of obscure '80s band. I think 'Dance Hall Days' was a fairly substantial hit over here, although it didn't chart high, it was in the charts for a long time. It took a long time going up, and a long time going down, like a proper record should do. And we did Top of the Pops a couple of times, which was a big BBC show where promising bands - or not so promising bands - got their exposure. But I think the divide between the US and the UK for me probably worked, in that I'm quite a private person, and at the time of 'Dance Hall Days' I had three children, and I wasn't married at the time, but my family life is very important to me. Being able to come home and be low key was great. I could leave all of the craziness behind in the States and just be myself, as it were, when I got back here." This was one of the songs that was considered for Michael Jackson's Thriller album. Nick Feldman of Wang Chung told Songfacts: "Before 'Dance Hall Days' was definitively recorded by Wang Chung at the legendary Abbey Road Studios in London, we had just demoed the song at a small, cheap North London studio. Through our publishers, a copy of the song fell into the hands of Quincy Jones and Michael Jackson, who loved it. Suddenly it was being considered for inclusion onto the forthcoming new Michael Jackson album, Thriller! That was an incredibly exciting prospect for an emerging yet-to-be-successful band like us. Some lyric changes were suggested, which we fooled around with, but in the end nothing quite stuck. And thanks to the lack of 'Dance Hall Days' on it, the Thriller album and Michael Jackson went on to fall into failure and obscurity. OK, maybe that didn't quite happen, but 'Dance Hall Days' became a huge hit for us instead and put us firmly on the pop music map in 1984." In 2009, "Dance Hall Days" started appearing in a swell of movies and TV shows, often to evoke the '80s. It has appeared in these films: Bumblebee (2018) Table 19 (2017) The Polka King (2017) Deadpool (2016) American Ultra (2015) The Daughter (2015) The Final Girls (2015) Seeking a Friend for the End of the World (2012) The Girl (2012) The Fighter (2010) Cop Out (2010) The Rebound (2009) Duplicity (2009) Echelon Conspiracy (2009) Adventureland (2009) I Love You Phillip Morris (2009) The Informers (2008) Bubble Boy (2001) Romy and Michele's High School Reunion (1997) To Live and Die in L.A. (1985) The Sure Thing (1985) Bachelor Party (1984) Blood and Bone (2009) And in these TV shows: Sex Education ("Episode #2.5" - 2020) Cobra Kai ("Glory of Love" - 2019) Mr. Robot ("eps3.3_m3tadata.par2" - 2017) Riverdale ("Chapter Eleven: To Riverdale and Back Again" - 2017) Ray Donovan ("Walk This Way" - 2014) Grey's Anatomy ("Everything I Try to Do, Nothing Seems to Turn Out Right" - 2014) Glee ("I Do" - 2013) The Middle ("The Fun House" - 2010) Breaking Bad ("Over" - 2009) When this song was on the charts, Wang Chung were touring in America as the opening act for The Cars, who were supporting their album Heartbeat City. Wang Chung frontman Jack Hues' real name is Jeremy Ryder. He took the stage name as a persona, which British musicians like Joe Strummer and Johnny Rotten were doing at the time. He is the biological father of British actor Jack Ryder, who played Jaime in the British Soap Opera Eastenders. >> A new remix of this song was released in 1997 to promote Wang Chung's Greatest Hits album. The single reached #107 in America.
Take your baby by the hand And make her do a high handstand And take your baby by the heel And do the next thing that you feel We were so in phase In our dance hall days We were cool on craze When I, you, and everyone we knew Could believe, do, and share in what was true Oh, I said Dance hall days, love Take your baby by the hair And pull her close and there, there, there And take your baby by the ears And play upon her darkest fears We were so in phase In our dance hall days We were cool on craze When I, you, and everyone we knew Could believe, do, and share in what was true Oh, I said Dance hall days, love Dance hall days Dance hall days, love Take your baby by the wrist And in her mouth an amethyst And in her eyes two sapphires blue And you need her and she needs you And you need her and she needs you And you need her and she needs you And you need her and she needs you And you need her and she needs you We were so in phase In our dance hall days We were cool on craze When I, you, and everyone we knew Could believe, do, and share in what was true Oh, I said Dance hall days, love Dance hall days, love Dance hall days Dance hall days, love Whoa, dance hall days
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Apr 21, 1984 | 88 | 38 |
| 2 | Apr 28, 1984 | 67 | 59 |
| 3 | May 5, 1984 | 58 | 68 |
| 4 | May 12, 1984 | 53 | 73 |
| 5 | May 19, 1984 | 45 | 81 |
| 6 | May 26, 1984 | 38 | 88 |
| 7 | Jun 2, 1984 | 33 | 93 |
| 8 | Jun 9, 1984 | 31 | 95 |
| 9 | Jun 16, 1984 | 28 | 98 |
| 10 | Jun 23, 1984 | 25 | 101 |
| 11 | Jun 30, 1984 | 19 | 107 |
| 12 | Jul 7, 1984 | 16 | 110 |
| 13 | Jul 14, 1984 | 18 | 108 |
| 14 | Jul 21, 1984 | 20 | 106 |
| 15 | Jul 28, 1984 | 24 | 102 |
| 16 | Aug 4, 1984 | 41 | 85 |
| 17 | Aug 11, 1984 | 56 | 70 |
| 18 | Aug 18, 1984 | 61 | 65 |
| 19 | Aug 25, 1984 | 71 | 55 |
| 20 | Sep 1, 1984 | 78 | 48 |