Peak
10
Weeks
18
Score
2,341
Chart Year
1986
The song's music video, directed by Russell Mulcahy and conceived and produced by Paul Flattery, features Joel and his band performing in the basement of a building in St. Mark's Place in New York City's East Village, and also features shots of various people in the city who eventually gather 'round the building's windows to see Joel perform. Most appear to be enjoying the performance except one woman on a fire escape who yells at them to "shut up!" However, she is ignored, and even members of the NYPD do not mind. Joel's then-wife Christie Brinkley appears in the video holding their baby daughter Alexa. The song differs from most Joel songs in that it is based on electric guitar rather than piano, which gives it a rock edge, compared to the soft-rock balladry with which he is more often associated. It is the only Joel music video that features him on guitar—a factor he cited when saying it was his favorite of all his videos. Both Ringo Starr and Paul McCartney appear very briefly in the video; Starr is standing in the street outside a window, and McCartney is leaning against a wall
In this song, Joel sings about what it takes to make a relationship last. Once the wave of passion subsides, it becomes a partnership where the couple has to trust each other and be there in times of need. Joel married model Christie Brinkley the year before this was released. While Joel is known as "The Piano Man," this is the only song he regularly plays guitar on in concert, giving him a chance to step out from behind the piano. >> Joel said he wanted this to be a song that was empathetic towards women but also kind of rough. "Like, I know you had it rough," he told Sirius XM. "It's similar in the intention as 'An Innocent Man' where the lyrics say, I know you've been betrayed, I know you've had lovers who've let you down. I'm not that guy. It was the same thing with 'A Matter Of Trust' - I want you to trust me, I know you've had it rough. I'll do my best to prove it to you." Christie Brinkley appears in the music video holding the couple's baby daughter, Alexa. In the clip, Joel and his band are performing in a stuffy basement studio in New York City's East Village. Joel opens the windows and draws an enthusiastic crowd - except for one angry woman who yells at him to shut up. Joel sings of illusory forms of love that are lies of the heart, mind and soul. The sentiment was inspired by Sam Shepard's 1985 off-Broadway play A Lie Of The Mind, which follows the aftermath of an abusive relationship. Report an ad Joel told Sirius XM he was trying to sound like "Addicted To Love" singer Robert Palmer. "He hardly opens his lips when he sings," he said in the 2016 interview. "I like his singing style. He doesn't really pronounce his words, but he kinda grunts 'em." This song plays at the end of the 2015 movie Trainwreck, starring Amy Schumer and Bill Hader. Billy Joel is a plot point in the film, as Hader plays a surgeon who always listens to "Uptown Girl" when he operates. By the time he made The Bridge, Joel was tired of the process of writing, recording, and touring, and wanted to settle into a life with his wife and baby. "I wanted to be home," he told Sirius XM in 2016, "and I hear in the writing on The Bridge a certain reluctance to continue... I was in a hurry to get it over with." This was Joel's last album with his longtime producer Phil Ramone - the first was The Stranger, Joel's breakthrough 1977 album.
One, two One, two, three, four Some love is just a lie of the heart The cold remains of what began with a passionate start And they may not want it to end But it will it's just a question of when I've lived long enough to have learned The closer you get to the fire the more you get burned But that won't happen to us 'Cause it's always been a matter of trust Now I know you're an emotional girl It took a lot for you to not lose your faith in this world But I can't offer you proof But you're going to face a moment of truth It's hard when you're always afraid You just recover when another belief is betrayed So break my heart if you must It's a matter of trust You can't go the distance With too much resistance I know you have doubts But for God's sake don't shut me out This time you've got nothing to lose You can take it, you can leave it, whatever you choose I won't hold back anything And I'll walk away a fool or a king Some love is just a lie of the mind It's make believe until it's only a matter of time And some might have learned to adjust But then it never was a matter of trust I'm sure you're aware love We've both had our share of Believing too long When the whole situation was wrong Some love is just a lie of the soul A constant battle for the ultimate state of control After you've heard lie upon lie There can hardly be a question of why Some love is just a lie of the heart The cold remains of what began with a passionate start But that can't happen to us 'Cause it's always been a matter of trust It's a matter of trust It's always been a matter of trust It's a matter of trust 'Cause it's always been a matter of trust
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Aug 9, 1986 | 71 | 55 |
| 2 | Aug 16, 1986 | 61 | 65 |
| 3 | Aug 23, 1986 | 52 | 74 |
| 4 | Aug 30, 1986 | 43 | 83 |
| 5 | Sep 6, 1986 | 37 | 89 |
| 6 | Sep 13, 1986 | 33 | 93 |
| 7 | Sep 20, 1986 | 29 | 97 |
| 8 | Sep 27, 1986 | 24 | 102 |
| 9 | Oct 4, 1986 | 20 | 106 |
| 10 | Oct 11, 1986 | 15 | 111 |
| 11 | Oct 18, 1986 | 10 | 116 |
| 12 | Oct 25, 1986 | 12 | 114 |
| 13 | Nov 1, 1986 | 19 | 107 |
| 14 | Nov 8, 1986 | 30 | 96 |
| 15 | Nov 15, 1986 | 48 | 78 |
| 16 | Nov 22, 1986 | 56 | 70 |
| 17 | Nov 29, 1986 | 62 | 64 |
| 18 | Dec 6, 1986 | 86 | 40 |