
Peak
1
Weeks
30
Score
7,225
Chart Year
1995
The music video for "Take a Bow" was directed by Michael Haussman and is a lavish period-style piece, filmed November 3–8, 1994, in Ronda and in the bullring of Antequera, Spain. In the video, Madonna wore a fitted, classic suit by British fashion designer John Galliano. The costumes worn by Madonna in the video were created by stylist Lori Goldstein, who received the VH1 Fashion and Media Award for best styling. Other designers who provided clothing included Donatella Versace and a then-unknown Christian Louboutin. Madonna had a 1940s style on her, with tight corset, silk dresses and a black-veiled hat. The plot of the video was set in the 1940s, depicting Madonna as a neglected lover of a bullfighter, played by real-life Spanish actor and bullfighter Emilio Muñoz. Madonna's character yearns for the bullfighter's presence, with erotic heartbreak. In an interview with MTV's Kurt Loder on the set of the music video, Madonna said that when she was initially writing "Take a Bow" the inspiration for the song was an actor, but she wanted the male character in the video to be a matador instead because she wanted the video to be about an "obsessive, tragic love story that doesn't work out in the end" and a matador would be more visually effective in expressing the emotion of the song. Plaza de Toros de Ronda, where the bullfighting scenes were shot Madonna arrived in Ronda in November 1994 with a team of 60 people and wanted to shoot at the bullrings in the city. However, her request was rejected by the Real Maestranza de Caballería of Ronda (Royal Cavalry Brotherhood of Ronda), who considered it as a desecration of the arenas if Madonna would have filmed there, since her name at that time was associated with provocative imagery. Also, Madonna had to give up shooting around the city's square due to high economic demands of its owner, former bullfighter Antonio Ordóñez who demanded ₧17 million (US$122,302 in 1994). Later it was clarified that Madonna was refused due to unknown moral reasons from the Brotherhood, who accused the media of making free publicity on the singer's behalf. The refusal generated controversy in Ronda, whose political groups believed that allowing the video to be shot within its precipices would be great promotion for the city. Madonna later obtained permit to shoot inside the palace of the Marquis of Salvatierra. Bullfighting scenes were shot at the Plaza de Toros de Ronda (The Toros Plaza of Ronda), where Muñoz acted alongside three fighting bulls. The actor was paid ₧7 million (US$50,360 in 1994) for participating in the video. The music video was released on November 22, 1994, on MTV. It was also part of VH1's relaunching promotional campaigns, where the channel used the video in its trio of 30 second commercials titled "The New VH1". The commercial showed a couple in a vintage porsche pulling in front of an ATM cash machine. The man makes a transaction while the woman looks at VH1 playing at a store, showing "Take a Bow". When the man turns back to the car, the woman is gone and can be seen inside the video alongside Madonna, while the singer appears in the car, and utters the tagline: "The new VH1... It'll suck you in". According to Abbey Konowitch, who worked at Madonna's Maverick Records, the singer had a long history with MTV and VH1, and hence was eager to participate in the campaign when asked by VH1 president John Sykes. For filming the commercial, the clothes worn in the video had to be flown in from the different designers. Madonna was also impressed by the technology used in the commercial for transposing the woman and herself together. The music video begins showing Madonna, the torero (Muñoz), and the townspeople preparing for, then attending, a bullfight. A secondary staging in the video presents Madonna standing or sitting near a television set in a room (lit by a single light source from above), while a third staging depicts Madonna writhing around on a bed in her underwear as she watches Muñoz on the television. In the bullring, the torero kills the bull and then comes home and physically and emotionally abuses Madonna. The video can be viewed as a statement on classism, supposing the bullfighter feels threatened and angered by the aristocrat's station, resulting in his physically abusing and then coldly abandoning her. The style of the music video has been compared to Spanish director Pedro Almodóvar's 1986 film Matador, starring Antonio Banderas. Madonna requested that Haussman give the video a Spanish theme because, at the time, she was lobbying for the role of Eva Perón in the film version of Evita. She subsequently sent a copy of the video to director Alan Parker as a way of "auditioning" for the role. Madonna eventually won the role of Perón. The music video for Madonna's 1995 single "You'll See" is considered a follow-up to the "Take a Bow" music video, as Madonna and Emilio Muñoz reprise their roles. In that video Madonna's character walks out on Munoz's (bullfighter) character, leaving him behind in despair. Madonna's character is then seen on the train and later on a plane, while Munoz's character tries to catch up with her in vain. The video generated controversy with animal rights activists who accused the singer of glorifying bullfighting. In Australia, music video program Video Hits ran a ticker along the bottom of the screen when the video was playing, stating that the producers of the program did not endorse the glorification of the sport portrayed in the video, while ABC TV video program Rage simply refused to play the video at all during their G-rated Top 50 program. Madonna won Best Female Video honors at the 1995 MTV Video Music Awards for the "Take a Bow" music video. It was also nominated for Best Art Direction in a Video, but lost to Michael Jackson and Janet Jackson's "Scream". The video also came in at number 27 on VH1's 50 Sexiest Video Moments. In 2012, the television program Extra included "Take a Bow" on their list of "The 10 Sexiest Madonna Music Videos." It can also be found on the Madonna compilations, The Video Collection 93:99 (1999) and Celebration: The Video Collection (2009)
"Take a Bow" is a song by American singer Madonna from her sixth studio album, Bedtime Stories (1994). It was released as the album's second single on December 6, 1994, by Maverick Records. It is a midtempo pop ballad written and produced by Madonna and Babyface. Following the sexually explicit persona portrayed by Madonna on her previous 1992 album, Erotica, she wanted to tone down her image for Bedtime Stories. Experimenting with a new musical direction and a more radio-friendly sound, Madonna decided to collaborate with Babyface, whose work with other musicians had impressed her. "Take a Bow" was developed after she listened to the basic beat and chords of a piece of music composed by him. Recorded at The Hit Factory Studios in New York, "Take a Bow" was backed by a full orchestra. It was the first time that Babyface had worked with live strings, per Madonna's suggestion. "Take a Bow" lyrically talks about unrequited love and Madonna saying goodbye. It received acclaim from music critics, who praised its soulful, poetic lyrics, production & Madonna's vocal performance. The single topped the US Billboard Hot 100 chart for seven weeks, becoming Madonna's 11th chart-topper. She broke Carole King's three-decade-long record as the female songwriter with the most number-one songs, a record which was later broken by Mariah Carey. "Take a Bow" also reached number one in Canada and the top ten in Finland, Switzerland, and New Zealand. However, it became her first single to miss the UK Singles Chart top ten since 1984, peaking at number 16. The music video for "Take a Bow" was directed by Michael Haussman, and was filmed in Ronda, Spain. The video depicts Madonna as a bullfighter's (played by real-life Spanish bullfighter Emilio Muñoz) neglected lover, yearning for his love. It won the Best Female Video award at the 1995 MTV Video Music Awards. Journalistic and academic analysis of the video included its plotline, usage of religious iconography, themes and motifs of feminism and submission, as well as its impact on contemporary music videos. In order to promote Bedtime Stories, Madonna performed "Take a Bow" on a few occasions, including live with Babyface at the 1995 American Music Awards. The song was later included in her compilation albums Something to Remember (1995), GHV2 (2001), and Celebration (2009). She also performed the song to the setlist of her Rebel Heart Tour (2015-2016), her one-off concert Madonna: Tears of a Clown (2016), and on The Celebration Tour (2023-2024).
Take a bow, the night is over This masquerade is getting older Light are low, the curtains down There's no one here (there's no one here, there's no one in the crowd) Say your lines, but do you feel them Do you mean what you say when there's no one around (no one around) Watching you, watching me One lonely star (one lonely star, you don't know who you are) I've always been in love with you (always with you) I guess you've always known it's true (you know it's true) You took my love for granted, why, oh why? The show is over, say good-bye Say good-bye (bye bye), say good-bye Make them laugh, it comes so easy When you get to the part Where you're breaking my heart (breaking my heart) Hide behind your smile All the world loves a clown (just make 'em smile the whole world loves a clown) Wish you well, I cannot stay You deserve an award for the role that you played (role that you played) No more masquerade You're one lonely star (one lonely star, you don't know who you are) I've always been in love with you (always with you) I guess you've always known it's true (you know it's true) You took my love for granted, why, oh why? The show is over, say good-bye I've always been in love with you (always with you) I guess you've always known it's true (you know it's true) You took my love for granted, why, oh why? The show is over, say good-bye Say good-bye (bye bye), say good-bye All the world is a stage (world is a stage) And everyone has their part (has their part) But how was I to know which way the story'd go? How was I to know you'd break (you'd break, you'd break, you'd break) You'd break my heart? I've always been in love with you (I've always been in love with you) Guess you've always known You took my love for granted, why, oh why? The show is over, say good-bye I've always been in love with you (always with you) I guess you've always known it's true (you know it's true) You took my love for granted, why, oh why? The show is over, say good-bye Say good-bye (bye bye), say good-bye Say good-bye
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Dec 17, 1994 | 45 | 81 |
| 2 | Dec 24, 1994 | 18 | 108 |
| 3 | Dec 31, 1994 | 14 | 112 |
| 4 | Jan 7, 1995 | 12 | 114 |
| 5 | Jan 14, 1995 | 8 | 118 |
| 6 | Jan 21, 1995 | 5 | 121 |
| 7 | Jan 28, 1995 | 5 | 121 |
| 8 | Feb 4, 1995 | 4 | 122 |
| 9 | Feb 11, 1995 | 4 | 122 |
| 10 | Feb 18, 1995 | 2 | 124 |
| 11 | Feb 25, 1995 | 1 | 125 |
| 12 | Mar 4, 1995 | 1 | 125 |
| 13 | Mar 11, 1995 | 1 | 125 |
| 14 | Mar 18, 1995 | 1 | 125 |
| 15 | Mar 25, 1995 | 1 | 125 |
| 16 | Apr 1, 1995 | 1 | 125 |
| 17 | Apr 8, 1995 | 1 | 125 |
| 18 | Apr 15, 1995 | 4 | 122 |
| 19 | Apr 22, 1995 | 6 | 120 |
| 20 | Apr 29, 1995 | 11 | 115 |