
Peak
2
Weeks
22
Score
5,023
Chart Year
1995
Shot in December 1994, the accompanying music video for "Red Light Special" was directed by American artist, photographer, director and creative director Matthew Rolston and is set in a brothel. Male actors portray prostitutes and Left Eye plays a pimp while Chilli and T-Boz portray customers playing strip poker. A young Boris Kodjoe is featured as one of the male prostitutes. T-Boz is seen being caressed by a man in a room. Chilli is seen dancing with the guitar player. There are also black and white solo shots of the girls singing. The music video has three versions: one labelled "Sexy", the second "Sexier" and the final version "Sexiest". As a result of more sexually suggestive and racy footage being used in versions two and three, the first version is widely broadcast.
In this slow jam, the ladies of TLC draw up a blueprint for a night of lovemaking, giving the lucky guy specific instructions: I'll let you go further If you take the southern route Don't go too fast Don't go too slow You've got to let your body flow "You have all these love songs about what the girl's going to do to the guy," Lisa "Left Eye" Lopes said in a video to promote the album. "This is like, 'Look, this is what we want. Do it up.'" If it's sexy R&B from the '90s, it's probably Babyface, who in addition to his own songs wrote love-makers for artists like Johnny Gill ("My, My, My"), Pebbles ("Love Makes Things Happen") and Boyz II Men ("I'll Make Love To You"). He wrote and produced "Red Light Special," imbuing it with his signature sensitivity that crossed gender lines - he steered clear of macho posturing. Babyface is also responsible for the 1992 hit "Baby-Baby-Baby" from TLC's first album. Kmart used to run Blue Light Specials, but they were definitely not sexy (unless you love a bargain). A "Red Light Special" in this context is part of a night of intimacy; it can be a kind of mood lighting or method of prolonging the pleasure. Sandwiched between the #1 hits "Creep" and "Waterfalls," "Red Light Special" was released as the second single from TLC's second album, CrazySexyCool. The group was signed to LaFace Records, an Atlanta-based collaboration between L.A. Reid and Babyface that could call on top talent. They had the top producers in the game work on the album - Dallas Austin, Jermaine Dupri, P. Diddy - and pushed it with lots of promotion. TLC was a local act that came on the scene with a fun, sexy look and sound that popped on radio and MTV. They got more refined for their second album, which did some character development, labelling each girl by a singular description: Left Eye: crazy Chilli: sexy T-Boz: cool The songs got loads of airplay and the girls got heaps of press coverage. CrazySexyCool went on to sell a staggering 12 million copies just in America; it stands as a defining album from the era, bringing R&B-pop to a new level. The music video is set in a "red light" district, with the girls in a brothel where they're the clients and the workers are guys. It was directed by Matthew Rolston, a fashion photographer who also did the "Creep" video. According to Babyface, the guitarist on this track was the session player Dwight Sills. They wanted Ernie Isley, but he wasn't available.
Take a good look at it, look at it now Might be the last time you'll have a go 'round I'll let you touch it if you like to go down I'll let you go further If you take the southern route Don't go too fast, don't go too slow You've got to let your body flow I like 'em attentive and I like 'em in control Baby it's yours (all yours) If you want it tonight I'll give you the red light special All through the night Baby it's yours (all yours) If you want it tonight Just come through my door Take off my clothes And turn on the red light I know that you want me I can see it in your eyes (Haha) You might as well be honest 'Cause the body never lies Tell me your secrets and I'll, I'll tell you mine I'm feelin' quite sexy and I want you for tonight If I move too fast just let me know 'Cause it means you move too slow I like some excitement and I like a man that goes Baby it's yours (all yours) If you want it tonight I'll give you the red light special All through the night Baby it's yours (all yours) If you want it tonight Just come through my door Take off my clothes And turn on the red light If you want me Let me know it (Let me know) I'll make time but you've got to show it (You've got to show) If you need me (If you need me) I want to see (I want to see) But don't mistake me I don't want you down on your knees I need someone (I need someone) A real man (a real man) I need someone who understands (Who understands) I'm a woman (I'm a woman) A real woman (A real woman) I know just what I want I know just who I am... Baby it's yours (all yours) If you want it tonight I'll give you the red light special All through the night Baby it's yours (all yours) If you want it tonight Just come through my door Take off my clothes And turn on the red light Baby it's yours (all yours) If you want it tonight Red light special All through the night Baby it's yours (all yours) If you want it tonight Just come through my door Take off my clothes And turn on the red light
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Mar 4, 1995 | 39 | 87 |
| 2 | Mar 11, 1995 | 18 | 108 |
| 3 | Mar 18, 1995 | 5 | 121 |
| 4 | Mar 25, 1995 | 4 | 122 |
| 5 | Apr 1, 1995 | 4 | 122 |
| 6 | Apr 8, 1995 | 4 | 122 |
| 7 | Apr 15, 1995 | 2 | 124 |
| 8 | Apr 22, 1995 | 2 | 124 |
| 9 | Apr 29, 1995 | 2 | 124 |
| 10 | May 6, 1995 | 3 | 123 |
| 11 | May 13, 1995 | 3 | 123 |
| 12 | May 20, 1995 | 7 | 119 |
| 13 | May 27, 1995 | 8 | 118 |
| 14 | Jun 3, 1995 | 10 | 116 |
| 15 | Jun 10, 1995 | 11 | 115 |
| 16 | Jun 17, 1995 | 14 | 112 |
| 17 | Jun 24, 1995 | 21 | 105 |
| 18 | Jul 1, 1995 | 27 | 99 |
| 19 | Jul 8, 1995 | 39 | 87 |
| 20 | Jul 15, 1995 | 44 | 82 |