Peak
8
Weeks
22
Score
3,722
Chart Year
2018
The lyric video for "God Is a Woman" premiered on Grande's YouTube channel alongside the release of the single. The video visualizes a cloud-filled background that transitions to a cosmic scene, ending with a still shot of the singer. The official music video was released later the same day. It was directed by Dave Meyers and features a monologue by Madonna, where she paraphrases the version of Ezekiel 25:17 that appears in the movie Pulp Fiction.[31][32] The video pays homage to The Creation of Adam, Romulus and Remus, astronomy, female genitalia, and other visual imagery similar to that of "No Tears Left to Cry", also directed by Meyers, as well as Greek mythology.[33] Alexa Meade painted Grande for the music video.[34] The video has been viewed more than 300 million times.
This sultry, vibe-heavy tune finds Ariana Grande embracing her sexuality as she takes on themes of spirituality and female empowerment. You, you love it how I move you You love it how I touch you My one, when all is said and done You'll believe God is a woman Most monotheistic religions teach that God has no gender as the Almighty's attributes cannot be compared to those of any other being. Grande it seems was aware of the potential storm this song's lyrics might invoke among faith-based groups. Asked if she was worried about such repercussions during a round of 20 Questions with fans on Twitter, the singer replied: "I was expecting it and of course understand it... but it's art. It's okay if not everybody understands everything I do. I'm grateful for the opportunity to be myself and inspire others to do that as well. I would rather do that than play it safe." Ilya Salmanzadeh's slinky, hip-hop-tinged production features influences of reggae music, while Grande's breathy vocals are layered so that it sounds like a choir. Ilya is the co-writing and co-production partner of Swedish hitmaker Max Martin. The pair co-produced "Problem," the single that launched Grande from teenage star to acclaimed pop songstress. Martin has a co-writing credit on the song along with Grande plus Savan Kotecha and Rickard Göransson. Tweeting about the song's themes, Ariana explained they are: "sexual female empowerment and how women are literally everything and the universe is inside of us." The female-empowered music video was directed by Dave Meyers and pays homage to various works of art and Greek mythology including Michaelangelo's fresco "Creation of Adam," the statue of "The Thinker," plus "Romulus and Remus," "The Pantheon," the mythological Cerberus, among others. Madonna makes an appearance midway through the video reciting a feminist version of Samuel L. Jackson's monologue from Pulp Fiction. The oration is an interpretation of Ezekiel 25:17 from the Old Testament. I will strike down upon thee, with great vengeance and furious anger, those who attempt to poison and destroy my sisters, and you will KNOW my name is the lord, when I lay my vengeance upon you Madonna is a hero of Ariana Grande, and her choice is significant considering the controversy created by her own sex-and-religion-laced video for "Like A Prayer." Grande did a live re-creation of the video at the 2018 MTV Video Music Awards, using 50 female dancers. She picked up the Moonman for Best Pop Video at the ceremony, winning for "No Tears Left to Cry." It was Savan Kotecha who had the original idea for the song's chorus title and melody. He wasn't sure how to develop it until Ilya Salmanzadeh came up with a couple of track ideas, but the two songwriters were unsure who could carry a song saying God is a woman. They thought a rapper would likely be the most appropriate choice and Ilya suggested they ask Grande if she wanted to finish it with them. Kotecha recalled to Billboard that a couple of days before Grande was due to have the label meeting to play the Sweetener album, she was hanging out with him and Ilya. They asked her if she was interested in hearing something for a rapper and when they played her the demo Grande immediately got excited. "That's not for a rapper, that's mine, I'm taking that," she said. Kotecha added that Grande "went home and started writing lyrics and came back the next day and we finished it up." When she started laying down the song in the studio "it all became alive." He concluded: "Sometimes, the right idea has to find the right home, and it found the right home." Las Vegas artist Vladimir Kush claimed an image in the video that shows a woman in a candle flame is "nearly identical" to paintings he created and copyrighted in 1999 and 2000. He filed a lawsuit against Grande on January 31, 2019, alleging federal copyright infringement. Court filings made in Nevada federal court on August 16, 2019 revealed that Kush had dropped the lawsuit against Grande, with the parties involved having reached a resolution. Camila Cabello passed on the song before it landed in Grande's lap. The former Fifth Harmony singer explained to radio host Andy Cohen that she recorded a demo before ultimately deciding it wasn't a good fit. "I think they had a chorus for the song and then I wrote verses to it," Cabello said during an interview on the Radio Andy SiriusXM radio show. "It didn't end up sounding right for me so then Ariana and everybody wrote to her version and it sounded amazing!"
You, you love it how I move you You love it how I touch you My one, when all is said and done You'll believe God is a woman And I, I feel it after midnight A feelin' that you can't fight My one, it lingers when we're done You'll believe God is a woman I don't wanna waste no time, yuh You ain't got a one-track mind, yuh Have it any way you like, yuh And I can tell that you know I know how I want it Ain't nobody else can relate Boy, I like that you ain't afraid Baby, lay me down and let's pray I'm tellin' you the way I like it, how I want it (Yuh) And I can be all the things you told me not to be (Yuh) When you try to come for me, I keep on flourishing (Yuh) And he see the universe when I'm the company It's all in me You, you love it how I move you You love it how I touch you My one, when all is said and done You'll believe God is a woman And I, I feel it after midnight A feelin' that you can't fight My one, it lingers when we're done You'll believe God is a woman I'll tell you all the things you should know So, baby, take my hand, save your soul We can make it last, take it slow, hmm And I can tell that you know I know how I want it, yuh But you different from the rest And boy, if you confess, you might get blessed See if you deserve what comes next I'm tellin' you the way I like it, how I want it (Yuh) And I can be all the things you told me not to be (Yuh) When you try to come for me, I keep on flourishing (Yuh) And he see the universe when I'm the company It's all in me You, you love it how I move you You love it how I touch you My one, when all is said and done You'll believe God is a woman And I, I feel it after midnight A feelin' that you can't fight My one, it lingers when we're done You'll believe God is a woman, yeah, yeah (God is a woman) Yeah, yeah (God is a woman, yeah) My one (One) When all is said and done You'll believe God is a woman You'll believe God (God is a woman) Oh, yeah (God is a woman, yeah) (One) It lingers when we're done You'll believe God is a woman
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Jul 28, 2018 | 11 | 115 |
| 2 | Aug 4, 2018 | 21 | 105 |
| 3 | Aug 11, 2018 | 27 | 99 |
| 4 | Aug 18, 2018 | 39 | 87 |
| 5 | Aug 25, 2018 | 30 | 96 |
| 6 | Sep 1, 2018 | 8 | 118 |
| 7 | Sep 8, 2018 | 10 | 116 |
| 8 | Sep 15, 2018 | 17 | 109 |
| 9 | Sep 22, 2018 | 16 | 110 |
| 10 | Sep 29, 2018 | 17 | 109 |
| 11 | Oct 6, 2018 | 20 | 106 |
| 12 | Oct 13, 2018 | 21 | 105 |
| 13 | Oct 20, 2018 | 22 | 104 |
| 14 | Oct 27, 2018 | 19 | 107 |
| 15 | Nov 3, 2018 | 24 | 102 |
| 16 | Nov 10, 2018 | 20 | 106 |
| 17 | Nov 17, 2018 | 20 | 106 |
| 18 | Nov 24, 2018 | 23 | 103 |
| 19 | Dec 1, 2018 | 26 | 100 |
| 20 | Dec 8, 2018 | 34 | 92 |