Peak
42
Weeks
2
Score
178
Chart Year
2020
"Betty" is part three of a trilogy of songs on Folklore about a doomed summer romance between two classmates, Betty and James. The relationship ended because James was seeing another unnamed girl. "Cardigan" is from Betty's perspective, "August" from the other girl's point of view, and this song is from James'. We learn here that James wants Betty back in his life, but Betty has moved on and there's little likelihood of a reconciliation. Swift penned the song with a little-known songwriter named William Bowery. She later revealed the mysterious name is a pseudonym for her actor boyfriend, Joe Alwyn. This is the one track on Folklore where both of Swift's principal collaborators on the album are credited: The National's Aaron Dessner and frequent Swift producer Jack Antonoff. Dessner told Vulture, "Both Jack and I worked on it. We all kind of passed it around." According to Dessner's interview with Vulture, Swift was interested in cultivating an early Bob Dylan vibe for this folk song, such as Freewheelin' Bob Dylan. The two producers "pushed it a little more towards John Wesley Harding, since it has some drums." This is the only song out of the trilogy that names all three characters in the lyrics. The trio may be the named after the children of Swift's close friends, Blake Lively and Ryan Reynolds. The Hollywood stars' oldest two daughters are named James and Inez, and supposedly Swift named Betty after the couple's baby daughter, but the couple hadn't publicly revealed her name at the time. Taylor Swift later confirmed in a press release that she named all the characters "after my friends' kids." Though she didn't specify which friends, its likely she's referring to Blake Lively and Ryan Reynolds. If this is indeed the case, it throws up the possibility that the "James" in this song is female and Swift is singing of a lesbian love triangle. Report this ad Swift has featured James Reynolds before. She provided the intro on the Reputation track "Gorgeous." This was sent to American country radio on August 17, 2020. Since 2014, when Swift dropped her first full pop record, 1989, most of her singles have only been serviced to pop stations. Swift's previous single released to country radio programers as well as pop was her Reputation track "New Year's Day." Sent on November 27, 2017, it peaked at #33 on the Country chart. Swift drops the F-bomb during the track, making it one of five Folklore tracks deemed explicit by Spotify. The songstress' people edited the offending line on the country radio version to, "Would you tell me to go straight to hell." Here's what Swift said about the single in a press release: "So, the song 'Betty' is about a 17-year-old named James learning to apologize, because James has lost the love of his life basically and doesn't understand how to get it back. I think we all have these situations in our lives where we learn to really, really give a heartfelt apology for the first time. Everybody makes mistakes. Everybody really messes up sometimes, and this is a song that I wrote from the perspective of a 17-year-old boy. And I always loved that in music you can kind of slip into different identities and you can sing from other people's perspectives." Taylor Swift took to the legendary Grand Ole Opry House stage to sing this song at the 2020 ACM Awards. The pop megastar's world premiere performance of "Betty" was her first appearance at the ACMs in seven years. She kept her rendition low key, accompanying herself on acoustic guitar and wearing a burgundy sequined turtleneck and khakis. It marked the first time Swift had performed any Folklore song live. According to The Sun newspaper, Swift made a point of wearing trousers because of the overwhelming dominance of male artists in country music. During the pre-chorus, Swift references a girl called Inez. You heard the rumors from Inez You can't believe a word she says Most times, but this time it was true Many assumed that Inez was the other girl James was seeing. However, that's not how Swift sees it. She said in her Disney+ concert film Folklore: The Long Pond Studio Sessions: "I've been kind of in my head like calling the girl from 'August' either Augusta or Augustine." Swift explained during her concert film that "Betty" came about after she heard Alwyn singing the "entire fully formed chorus" in another room. "It was a step that we would have never taken because why would we have ever written a song together?" she said. "So this was the first time we had a conversation where I came in and was like 'Hey, this could be really weird and we could hate this, so because we're in quarantine and there's nothing else going on, could we just try and see what it's like if we write this song together?'" Speaking to Vulture, Alwyn gave his take on his contribution to "Betty." "I'd probably had a drink and was just stumbling around the house," he recalled. "We couldn't decide on a film to watch that night, and she was like, 'Do you want to try and finish writing that song you were singing earlier?' And so we got a guitar and did that."
Betty, I won't make assumptions About why you switched your homeroom But I think it's 'cause of me Betty, one time I was riding on my skateboard When I passed your house It's like I couldn't breathe You heard the rumors from Inez You can't believe a word she says Most times, but this time it was true The worst thing that I ever did Was what I did to you But if I just showed up at your party Would you have me? Would you want me? Would you tell me to go fuck myself Or lead me to the garden? In the garden would you trust me If I told you it was just a summer thing? I'm only seventeen I don't know anything but I know I miss you Betty, I know where it all went wrong Your favorite song was playing From the far side of the gym I was nowhere to be found I hate the crowds, you know that Plus, I saw you dance with him You heard the rumors from Inez You can't believe a word she says Most times, but this time it was true The worst thing that I ever did Was what I did to you But if I just showed up at your party Would you have me? Would you want me? Would you tell me to go fuck myself Or lead me to the garden? In the garden would you trust me If I told you it was just a summer thing? I'm only seventeen I don't know anything but I know I miss you I was walking home on broken cobblestones Just thinking of you when she pulled up Like a figment of my worst intentions She said "James, get in, let's drive" Those days turned into nights Slept next to her but I dreamt of you all summer long Betty, I'm here on your doorstep And I planned it out for weeks now but It's finally sinking in Betty, right now is the last time I can dream about what happens when you see my face again The only thing I wanna do Is make it up to you So, I showed up at your party Yeah, I showed up at your party Yeah, I showed up at your party Will you have me? Will you love me? Will you kiss me on the porch In front of all your stupid friends? If you kiss me Will it be just like I dreamed it? Will it patch your broken wings? I'm only seventeen I don't know anything But I know I miss you Standing in your cardigan Kissing in my car again Stopped at a streetlight, you know I miss you
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Aug 8, 2020 | 42 | 84 |
| 2 | Aug 15, 2020 | 91 | 35 |