
Peak
1
Weeks
13
Score
2,270
Chart Year
2024
The video opens with a group of critics being invited to an event by Grande, the invitation being in the form of a card that includes the aforementioned acronym and coordinates. As they wait for the event, the critics discuss their negative opinions on Grande, claiming they prefer her past self more and criticizing her new choices. As the song starts, the critics enter a room, where some statues are placed around a structure with stairs – some of the statues referenced the aforementioned album artworks. The statues then break down as Grande and a group of dancers walk in, before they perform some choreography as the critics watch. During the bridge, Grande tours the critics' seating area, while holding a tuning fork to "[cleanse] the energy among the critics".[83] During the last chorus, Grande invites some critics to dance with her as the others watch and cheer them on enthusiastically. As the performance ends, Grande and the other dances revert back to statue form. The critics, now supportive of Ariana, gleefully leave the room as another group of critics enter, thus creating a cycle.
"Yes, And?" is a nu-disco house track by Ariana Grande released on January 12, 2024 as the lead single from her seventh album, Eternal Sunshine. The song is about healing from pain and trauma with resilience and self-confidence. In case you haven't noticed Well, everybody's tired And healin' from somebody Or somethin' we don't see just right Grande encourages her listeners to be empathetic and brave, and to find happiness in their authentic lives. She reminds them that they are not alone in their struggles, and that they can overcome any dark situation by turning on their light. Grande also sings about following her own path, defying gender norms, and ignoring gossip and body shaming. The "Yes, And?" title is inspired by a technique from improvisational theater, where actors accept and build on each other's ideas in a scene. Grande uses this expression to show how she deals with traumatic events and criticism in her life. She is ready to face the challenges, adapt to the changes, and move on with something new. It's likely Grande named the song in response to criticism of her relationship with her Wicked co-star Ethan Slater. Grande wrote "Yes, And?" with Swedish pop mastermind Max Martin and his co-writing and production partner Ilya Salmanzadeh in New York City. The Swedish pair are frequent Grande collaborators, including on "No Tears Left to Cry" "God Is A Woman," and "Break Up With Your Girlfriend, I'm Bored." However, they didn't contribute to Grande's previous album, 2020's Positions. The dance-pop and house song pays homage to Madonna's 1990 hit "Vogue" and the ballroom culture it celebrated. Grande has been a longtime admirer of the Queen of Pop, whom she joined on-stage during her Rebel Heart tour. She also performed "Vogue" during her own Honeymoon tour in 2015. Grande has praised Madonna for reshaping pop music and setting the bar high with her passion and hunger. Christian Breslauer (Lizzo, The Weeknd) directed the music video, which is inspired by Paula Abdul's 1988 visual for "Cold Hearted." The two videos find the artists dressed in similar attire with wide-brimmed hats reminiscent of Bob Fosse's signature style. Both women perform a heavily choreographed dance sequence involving a scaffolding-like structure. Three days after delivering "Yes, And?" Ariana Grande dished up an extended remix of the song to amplify the dancefloor inferno. The new version boasts a drawn-out intro for epic buildup, plus bonus instrumental breaks mirroring the intro before each chorus. Clocking in at 5:08 compared to the original's 3:35, it's the same euphoric melody packed with extra room to groove.
In case you haven't noticed Well, everybody's tired And healin' from somebody Or somethin' we don't see just right Boy, come on, put your lipstick on (no one can tell you nothin') Come on and walk this way through the fire (don't care what's on their mind) And if you find yourself in a dark situation Just turn on your light and be like "Yes, and?" Say that shit with your chest, and Be your own fuckin' best friend Say that shit with your chest Keep moving like, "What's next?" "Yes, and?" Now, I'm so done with caring What you think, no, I won't hide Underneath your own projections Or change my most authentic life Boy, come on, put your lipstick on (no one can tell you nothin') Come on and walk this way through the fire (don't care what's on their mind) And if you find yourself in a dark situation Just turn on your light and be like "Yes, and?" Say that shit with your chest, and Be your own fuckin' best friend Say that shit with your chest Keep moving like, "What's next?" "Yes, and?" (Yeah) My tongue is sacred, I speak upon what I like Protected, sexy, discerning with my time (my time) Your energy is yours and mine is mine (it's mine, it's mine) What's mine is mine My face is sitting, I don't need no disguise (I don't need no disguise) Don't comment on my body, do not reply Your business is yours and mine is mine Why do you care so much whose- I ride? Why? "Yes, and?" (Yes, and?) Say that shit with your chest, and (say that shit with your chest) Be your own fuckin' best friend (oh, be your own, be your own) Say that shit with your chest (say that shit with your chest, baby) Keep moving like, "What's next?" "Yes, and?" "Yes, and?" Say that shit with your chest, and Be your own fuckin' best (be your own) friend Say that shit with your chest Keep moving like, "What's next?" "Yes, and?" (Yeah)
| Week | Chart Date | Position | Points |
|---|---|---|---|
| 1 | Jan 27, 2024 | 1 | 125 |
| 2 | Feb 3, 2024 | 6 | 120 |
| 3 | Feb 10, 2024 | 17 | 109 |
| 4 | Feb 17, 2024 | 31 | 95 |
| 5 | Feb 24, 2024 | 11 | 115 |
| 6 | Mar 2, 2024 | 28 | 98 |
| 7 | Mar 9, 2024 | 31 | 95 |
| 8 | Mar 16, 2024 | 31 | 95 |
| 9 | Mar 23, 2024 | 10 | 116 |
| 10 | Mar 30, 2024 | 36 | 90 |
| 11 | Apr 6, 2024 | 61 | 65 |
| 12 | Apr 13, 2024 | 86 | 40 |
| 13 | Apr 20, 2024 | 89 | 37 |