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2025
The music video for Gorgeous was directed by Bardia Zeinali and shot in New York City.[6] Conceptually, the video is heavily inspired by 1980s beauty commercials and cosmetics ads. It features Doja styled as if in a glam beauty campaign, complete with close-ups, product-like shots, and nostalgic typography.[7] The video includes a high-fashion cast of models and icons. Cameos include Irina Shayk, Alex Consani, Paloma Elsesser, Yseult, Amelia Gray, Imaan Hammam, Ugbad, Alek Wek, Ida Heiner, Mona Tougaard, Karen Elson, Sora Choi, among others including Sawyer.[8] The video opens in a mock commercial environment for a fictional cosmetics brand called "Gorgeou
"Gorgeous" wrestles with the double-edged sword of beauty: you're adored for it, and just as quickly, you're picked apart for it. It's the same balancing act Doja Cat pulled off on "Paint The Town Red," where she strutted through the criticism, only here she's doing it in stilettos and studio lighting. Speaking about the track, Doja said: "It's about how you relate to yourself and how you feel about yourself. And that was something that I really wanted to convey in this song. I think it's sort of like, damned if you do, damned if you don't. If you feel good, people will try to bring you down, obviously. And if you feel bad, people will try to bring you down. So I think it's up to you to give yourself that self-love and that validation." The track is part of Doja's 2025 album Vie (French for "life"), a record she described as exploring "love, sex, romance, pain, and wonder within a relationship." It represents her return to pop after the rap-heavy Scarlet (2023), the album where she gave us "Demons" and "Agora Hills" and made half the internet argue about whether she'd "abandoned pop forever." With Vie, Doja very much hadn't - she even admitted the title was a deliberate nod to "La Vie En Rose." "Gorgeous" is one of Doja Cat's first collaborations with renowned producer Jack Antonoff, who produced nine out of the 15 tracks on Vie. If you've ever heard a Taylor Swift or Lana Del Rey record and thought, "Why does this sound like a dreamy fog machine set to melancholy?" that's Antonoff. "I'm working with Jack Antonoff and working with a person that's new in my life," Doja Cat told Apple Music's Zane Lowe. "And so it's the grappling with talking about something personal and creating something fresh, and then getting to know someone new, and then all of these things fell together really naturally. He's been such a wonderful person to work with." Antonoff sprinkles in "gorgeous" reverb-heavy synths, Rhodes piano, and a generous blast of saxophone, courtesy of his Bleachers bandmates Zem Audu and Evan Smith. Add violin from Bobby Hawk, synth bass from Kendrick Lamar collaborator Sounwave, and George Daniel of The 1975 on keys, and the whole thing feels like a moody kaleidoscope of sound. The affirming interlude voice you hear midway through is Doja's mother, Deborah Elizabeth Sawyer, a Jewish-American painter and designer who raised Doja Cat and her brother mostly on her own. "I was in the middle of making the song, and I wanted her on it, because she's, like, such a big part of who I am. And it felt really all encompassing," explained Doja. "And so I was like, 'Mom, can you record something for me, please?' And she was like, 'What do you want?' I was like, just want a voicemail, that's like, nice. And she just said that. And it was one take. She didn't really. She didn't have to do it more than once." The video, directed by Bardia Zeinali and shot in New York City, is a glamorous homage to 1980s beauty commercials. It shows Doja in a tongue-in-cheek ad for a fictional cosmetics brand aptly named "Gorgeous." Shot in New York, it ropes in an all-star cast of models and fashion icons: Alex Consani, Irina Shayk, Anok Yai, Imaan Hammam, Paloma Elsesser, Alek Wek, Karen Elson, and even French singer Yseult. Doja's mother also pops up here, cementing the family affair. Doja Cat recorded Vie at New York's legendary Electric Lady Studios. She described the experience as "really interesting," saying she soaked up the historic atmosphere as much as the studio gear. Doja Cat performed "Gorgeous" on the October 4, 2025, episode of Saturday Night Live. She sang the song from a sparkling rose-shaped throne, dressed in a floral outfit with rose petals falling on stage.
If they wasn't grillin' before They gon' be really mad when we hit the floor It's a crime to be gorgeous Between you and a million phones They takin' pictures like we hittin' a pose It's alright to be honest Even when we sit in the dark I feel the prettiest that you ever saw Are your eyes even open? It ain't ever really our fault We make a killing being so beautiful It's a crime to be gorgeous It's a crime to be gorgeous It's a crime to be gorgeous It's a crime to be gorgeous It's a crime Look at me Look at me Yeah, look at me, really look at me Loaded the magazine, they throwin' the book at me I'm bookin' it 80 miles per hour 'cause my jewelry I'm cookin' some collard greens, I ain't got no room for these Then I got surgery 'cause of scrutiny But he like my before and after pictures, he cool wit' these I took off the wig and put some mousse on my new 4C I put on the wig and take it off as I damn well please I look like my family, I don't need to brag Titty used to sag, least she got some ass Can't avoid the pap, can't even avoid the cash Yeah, you beautiful, baby, but you got more than that Pretty hurts, don't talk to me 'bout Brazilians After that wax, you thought you wanted to kill him But now you walkin' 'round like you one in a million He lookin' at me like he want some beautiful children If they wasn't grillin' before They gon' be really mad when we hit the floor It's a crime to be gorgeous Between you and a million phones They takin' pictures like we hittin' a pose It's alright to be honest Even when we sit in the dark I feel the prettiest that you ever saw Are your eyes even open? It ain't ever really our fault We make a killing being so beautiful It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime She like white gold in her hardware With an install and a long nail With a eyelash and it's glued on She ain't so Christian in Louboutins And now she got contacts but no close friends And she lasered all that hair off And she thank God for that Emsculpt She wanna be chic when it's inspired by heroin Ah, there you go with that smile again She stay in school but she more privy to collagen Aw, now you on botched again You oughta cut off all them Khias, they toxic, friend, ah You gettin' showered in compliments, huh (I do) You feel empowered but not within I mean I only got myself to appeal to (I do) They got they nose up judging me, but ain't all of 'em real So if they wasn't grilling If they wasn't grillin' before They gon' be really mad when we hit the floor It's a crime to be gorgeous Between you and a million phones They takin' pictures like we hittin' a pose It's alright to be honest Even when we sit in the dark I feel the prettiest that you ever saw Are your eyes even open? It ain't ever really our fault We make a killing being so beautiful It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime to be gorgeous (It's all we need, it's all we want) It's a crime to be gorgeous
No chart history available.