Rendezvous

Album

Octane

Label

Cactus Jack

Genre

Trap

Media Type

CD

Duration

2:26

Composer(s)

Caleb Toliver;Noah Smith;Derek Anderson;Rio Leyva;lKobe Hood;Bennett Pepple

Entered Chart

Feb 14, 2026

Peak Date

Feb 14, 2026

Released

January 30, 2026

"Rendezvous" pairs Don Toliver with Yeat for a sleek, nocturnal flex. The track transforms the rather innocent-sounding notion of a rendezvous - a word that once conjured images of secret garden meetings and possibly a chap in a cravat - into a shimmering, bass-heavy expedition where jewelry, drugs, sex and desire blur together. The song favors atmosphere over narrative detail, dropping listeners into a scene already in full swing. Toliver floats above the instrumental with his syrupy, melodic croon, while Yeat slithers through the beat with his trademark woozy, digitally warped delivery. The effect places "Rendezvous" in the same family of nocturnal mood records as The Weeknd's shadowy hedonism in "Often" and the narcotic glide of Travis Scott's "Goosebumps," both of which revel in the sensation of a night that feels both glamorous and slightly dangerous. The collaboration continues an ongoing musical alliance between Toliver and Yeat. The pair previously linked up on Toliver's "Geeked Up" and Yeat's "Heavy Stunts," and by June 2025 they had taken their partnership onto the stage at Lyrical Lemonade's Summer Smash festival. Performing as a live duo, they previewed unreleased collaborations that fans dubbed "Secret" and "Screwed Up," while casually weaving each other's instrumentals into mashups. Toliver co-produced "Rendezvous" with 206DEREK, Rio Leyva, BBYKOBE and Bangs. 206DEREK (Derek Anderson), a Seattle-born, Los Angeles-based producer, began as an engineer for Toliver and Travis Scott, gradually evolving into one of Toliver's most trusted studio partners. Rio Leyva, a Portland-born producer affiliated with the Internet Money collective, adds sleek, high-polish sensibilities honed through work with The Kid Laroi, Drake and Lil Tecca. BBYKOBE is a Detroit-born writer/producer known for heavy, world-building trap beats, and for credits with Travis Scott ("Champain & Vacay") and Kanye West & Ty Dolla Sign ("Fuk Sumn"). Bangs is the producer moniker of Bennett Pepple, a songwriter-producer who's been cutting high-profile records in the pop-rap and alt-pop space. He has credits on Doja Cat's Scarlet album, notably the single "Agora Hills. Toliver recorded "Rendezvous" for his Octane album. The song shows him stretching further into rap-forward cadences before melting back into melody, while Yeat brings his trademark distorted, trippy delivery, making it one of the more rap-centric yet still melodic moments on the album. The song's visual companion leans heavily into theatrical mystique. Directed by AMD and executive-produced by Cole Bennett for Lyrical Lemonade, the video presents Toliver and Yeat wearing glittering full-face masks while surrounded by similarly robed figures in a surreal, ritualistic club environment. "Throughout the video, we try to implement a lot of diamond elements, explained AMD. "Don wanted to reference the movie Eyes Wide Shut, the party scene that he goes to. So we have our take of that which is the masks are encrusted with diamonds, they have black robes. It's like this underground meetup situation that Yeat and Don are going through."

Kay, I walked in, gun on safety
When she see it, she say, "Save me" (how?)
Lil' mama in the club gettin' crazy (huh)
And she always weird, I call her wavy

Diamonds on my head, diamonds on my shoes (shoes)
I don't want your friend, girl, I wanted you (you, ooh, ooh)
I don't play pretend, bitch, we really through (yeah, yeah)
Fuckin' on this bitch and I got her screwed (woah, woo, woo)
Got this bitch sick like she got the flu, oh
I'ma fuck this bitch, I fuck her off the shrooms (yeah), woah
Yeah, I might be greedy 'cause I wanted two (oy)
We don't need to say it, we just read the room, oh

Diamonds on my head, diamonds on my shoe
Take you back to school, baby, what it do? Ooh
Everything cool, everything cool (ah)
I just wanna move if you down to move
Show me what it do, baby, what it do?
Diamonds on my head, diamonds on my shoe
Everything cool at the rendezvous

Let's wait here and read the room

Let's wait here and read the room

Diamonds on my head, diamonds on my shoes (shoes)
I don't want your friend, girl, I wanted you
I don't play pretend, bitch, we really through (yeah, yeah)
Fuckin' on this bitch and I got her screwed (woah, woo, woo)
Got this bitch sick like she got the flu, oh
I'ma fuck this bitch, I fuck her off the shrooms (yeah), woah
Yeah, I might be greedy 'cause I wanted two (oy)
We don't need to say it, we just read the room, oh

Diamonds on my head, diamonds on my shoe
Take you back to school, baby, what it do? Ooh
Everything cool, everything cool
I just wanna move if you down to move
Show me what it do, baby, what it do?
Diamonds on my head, diamonds on my shoe
Everything cool at the rendezvous

Okay, I walked in, gun on safety (safety)
When she see me, she say, "Save me"
Oh, lil' mama in the club gettin' crazy (uh)
And she always weird, I call her wavy (uh)


I call her wavy
I call her wave, crazy