Hands up

Album

Single

Label

Stoney Creek

Genre

Country

Media Type

DD

Duration

3:14

Composer(s)

Jason DeFord;Michael Hardy;Chase McGill;Joe Fox;Rocky Block

Entered Chart

Aug 8, 2026

Peak Date

Aug 8, 2026

Released

June 24, 2026

Hands Up" is Jelly Roll's autobiographical anthem about redemption, tracing his life through three defining moments when his hands went into the air, for very different reasons. The first is the exhilaration of discovering music, the second the humiliation of being arrested, and the third the surrender of embracing faith. Together they chart the unlikely route from troubled teenager to one of country music's most compelling voices. It's a reminder that the same gesture can mean celebration, defeat or worship, depending on who's asking you to raise your hands. Like much of Jelly Roll's catalog, "Hands Up" is built on redemption rather than perfection. It occupies the same emotional territory as "Save Me" and "Son Of A Sinner," acknowledging failure without letting it have the final word. Each verse captures a different chapter of Jelly Roll's story. The opening verse returns to Nashville Municipal Auditorium in December 1999, where, as a teenager, he saw Rage Against the Machine perform "Killing In The Name" and "Bulls On Parade." He describes the concert as "church for me" and "the first time I was born again," recalling the moment he realized music could give voice to kids who felt lost and angry. The second verse jumps to one of his lowest points. After breaking into a house to retrieve a bag of marijuana, Jelly Roll found himself cornered against a fence in a dead-end neighborhood, with a police officer ordering him to put his hands up. The incident reflects the arrests and jail sentences that punctuated his youth, experiences Jelly Roll has never tried to erase from his story, instead presenting them as evidence that grace often begins in places we'd rather not revisit. The final verse brings Jelly Roll to faith. He recalls finding "that little cross" in "that ol' sinner's row," where the voice urging him toward destruction finally gives way to the One calling him to surrender. This time, raising his hands is an act of worship, completing the song's journey from chaos to hope. Jelly Roll wrote the song with Hardy, Chase McGill, Joe Fox and Rocky Block. Hardy is a Nashville artist‑writer who's become one of the core architects of modern country's rowdy‑but‑introspective sound, with hits for Morgan Wallen, Blake Shelton, and his own rock‑leaning records. Chase McGill is a Nashville songwriter known for sharp, story‑driven lyrics, with cuts for artists like Kane Brown ("Lose It"), Jordan Davis ("Next Thing You Know") and Morgan Wallen ("I Got Better"). Joe Fox is a behind‑the‑scenes writer and vocal producer who has quietly built a résumé that includes Joe Pardi's "Last Night Lonely," Dylan Marlowe's "Boys Back Home" and Jelly Roll's deeply confessional track "My Cross." Rocky Block is one of Morgan Wallen's key songwriting partners. His Wallen credits include "Cowgirls," "Lies Lies Lies" and "I'm The Problem." Produced by Charlie Handsome and Ben Johnson, the track blends Jelly Roll's hip-hop phrasing with a soaring country arrangement built around live drums, pedal steel and gospel-style backing vocals. The result feels equally at home in an arena concert or a Sunday morning service. Jelly Roll released "Hands Up" on June 24, 2026, during a difficult season in his personal life. Only weeks earlier, he had filed for divorce from Bunnie Xo after nearly a decade of marriage. Rather than addressing the split directly, the song doubles down on the themes that have always resonated most strongly with his audience: faith, forgiveness, perseverance and the conviction that no past is beyond redemption.

Let me take you back in time, just climb in my DeLorean
Nashville '99, we stood in line and started pourin' in
That concert in the dark off Rosa Parks, that auditorium
Was church for me, yeah I believe
The first time I was born again
Was Killing In The Name, Bulls On Parade
GA packed in the pit
Me and all those people people called nothing but troubled kids
If there was ever a fire in me, yeah that's the night I got it lit
I knew who I was born to be when he said

Everybody get your hands up
Everybody put your hands up
If you ain't perfect but you try
Put 'em way up to the sky
Touchin' heaven kinda high
Ain't that where we wanna go when we die
Whoa, whoa, whoa
Just put your hands up
Everybody put your hands up

Let's take it down there, south of town
I'm 22, up to no good
Dressed in black, I broke the glass to take back the bag of grass they took
That story end's against the fence right in that dead end neighborhood
Cop's told me what I told them, when he said boy

You better put your hands up
Everybody put your hands up
If you ain't perfect but you try
Put 'em way up to the sky
Touchin' heaven kinda high
Ain't that where we wanna go when we die
Whoa, whoa, whoa
Just put your hands up
Everybody put your hands up

Our last stop's that little cross I came across some years ago
Comin' down and hidin' out back there in that ol' sinner's row
The devil on my shoulder finally found him somewhere else to go
I never did believe in ghosts 'til the holy one told me to throw my hands up
Oh Lord, I threw my hands up

Put your hands up
Everybody put your hands up
If you ain't perfect but you try
Put 'em way up to the sky
Touchin' heaven kinda high
Ain't that where we wanna go when we die
Whoa, whoa, whoa
Just put your hands up
Everybody put your hands up